The English Novel: A Short Critical History |
From inside the book
Results 1-3 of 65
Page 13
Plot scarcely exists ; the story is merely a string of incidents and intrigues of which Wilton is the hero , and the incidents described are pure sensationalism , an “ exposure " of the wickedness of Renaissance Italy as the Elizabethan ...
Plot scarcely exists ; the story is merely a string of incidents and intrigues of which Wilton is the hero , and the incidents described are pure sensationalism , an “ exposure " of the wickedness of Renaissance Italy as the Elizabethan ...
Page 292
One thing , however , is clear : the woman so described could not possibly be a fit wife for the single - minded idealist who " had a conviction that the want of most men was knowledge of a sort which brings wisdom rather ...
One thing , however , is clear : the woman so described could not possibly be a fit wife for the single - minded idealist who " had a conviction that the want of most men was knowledge of a sort which brings wisdom rather ...
Page 438
... which is a brilliant fabrication, as may be seen when the figure of the god Quetzalcoatl is compared with the African carving described in Women in Love of "a woman sitting naked in a strange posture, and looking tortured, ...
... which is a brilliant fabrication, as may be seen when the figure of the god Quetzalcoatl is compared with the African carving described in Women in Love of "a woman sitting naked in a strange posture, and looking tortured, ...
What people are saying - Write a review
LibraryThing Review
User Review - stillatim - LibraryThingRemember when literary critics read books and wrote about them? No? Well, I do now. He got a few things wrong - what did these people ever see in H.G. Wells? In Meredith? That they should be put next ... Read full review
Contents
THE BEGINNINGS | 3 |
THE EIGHTEENTH CENTURY | 31 |
THE FIRST GENERA | 107 |
Copyright | |
4 other sections not shown
Other editions - View all
Common terms and phrases
accepted achievement action appear attempt Austen become better called century characters comedy comes comic completely consciousness course criticism death described Dickens early effect Elizabethan England English exist experience expression eyes fact father feel fiction Fielding figure George George Eliot gives greater heart hero human imagination important influence instance interest James Jane kind Lady later least less literary lives London look matter means mind Miss moral nature never novel novelist perhaps person plot political possible present prose reader reality relation remains represents respect satire scarcely scene Scott seems seen sense side situation social society story successful symbol things thought tion true turned Victorian whole woman women writing written wrote young