The English Novel: A Short Critical HistoryA brilliant, critical history of the novel from Bunyan to Lawrence and Joyce. |
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Page 154
Their relation to the reading public was nearer to that of the twentieth - century
novelist than to the early Victorians . The difference may be indicated easily
enough . " It was part of the felicity of the fifties to possess a literature which was
at once ...
Their relation to the reading public was nearer to that of the twentieth - century
novelist than to the early Victorians . The difference may be indicated easily
enough . " It was part of the felicity of the fifties to possess a literature which was
at once ...
Page 211
... survives largely as an historical document illustrating early Victorian attitudes
to a social problem and the early Victorian fear , which amounted almost to
hysteria , of the poor . North and South , for one thing , THE EARLY VICTORIANS
211.
... survives largely as an historical document illustrating early Victorian attitudes
to a social problem and the early Victorian fear , which amounted almost to
hysteria , of the poor . North and South , for one thing , THE EARLY VICTORIANS
211.
Page 233
The note of these early books , of Barchester Towers , for instance , is an easy
humor , and there is always the suspicion that the humor is a little too easy . Mrs .
Proudie and Mr . Slope , praised though they have always been , are somewhat ...
The note of these early books , of Barchester Towers , for instance , is an easy
humor , and there is always the suspicion that the humor is a little too easy . Mrs .
Proudie and Mr . Slope , praised though they have always been , are somewhat ...
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User Review - stillatim - LibraryThingRemember when literary critics read books and wrote about them? No? Well, I do now. He got a few things wrong - what did these people ever see in H.G. Wells? In Meredith? That they should be put next ... Read full review
Contents
THE BEGINNINGS | 3 |
THE EIGHTEENTH CENTURY | 31 |
THE FIRST GENERA | 107 |
Copyright | |
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accepted achievement action appear attempt Austen become better called century characters comedy comes comic completely consciousness course criticism death described Dickens early effect Elizabethan England English exist experience expression eyes fact father feel fiction Fielding figure George George Eliot gives greater Hardy heart hero human imagination important influence instance interest James Jane kind Lady later least less literary lives London look matter means mind Miss moral nature never novel novelist perhaps person plot political possible present prose reader reality relation represents respect satire scarcely scene Scott seems seen sense side situation social society stand story successful symbol things tion true turned Victorian whole woman women writing written wrote young