The English Novel: A Short Critical HistoryA brilliant, critical history of the novel from Bunyan to Lawrence and Joyce. |
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Page xxii
These statements exist in the form they do , move us as they do , because they
are made poetically . The poem is an entity , a thing in itself , an end in itself . The
pleasure we get from it comes from the fact that it is as it is ; if it were something ...
These statements exist in the form they do , move us as they do , because they
are made poetically . The poem is an entity , a thing in itself , an end in itself . The
pleasure we get from it comes from the fact that it is as it is ; if it were something ...
Page 110
Had she allowed them to exist in dependently of her all the time she would truly
have been a great novelist . There is Lady Clonbrony , for instance , an object of
contempt to her guests , an object of pity to her son ; she has dedicated her life ...
Had she allowed them to exist in dependently of her all the time she would truly
have been a great novelist . There is Lady Clonbrony , for instance , an object of
contempt to her guests , an object of pity to her son ; she has dedicated her life ...
Page 151
as living beings outside the contexts in which they exist . Peacock keeps them ...
One at least , Dr . Folliott in Crotchet Castle , we can imagine in any conceivable
situation : he is full length and exists in the round . As a character , he is a ...
as living beings outside the contexts in which they exist . Peacock keeps them ...
One at least , Dr . Folliott in Crotchet Castle , we can imagine in any conceivable
situation : he is full length and exists in the round . As a character , he is a ...
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User Review - stillatim - LibraryThingRemember when literary critics read books and wrote about them? No? Well, I do now. He got a few things wrong - what did these people ever see in H.G. Wells? In Meredith? That they should be put next ... Read full review
Contents
THE BEGINNINGS | 3 |
THE EIGHTEENTH CENTURY | 31 |
THE FIRST GENERA | 107 |
Copyright | |
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accepted achievement action appear attempt Austen become better called century characters comedy comes comic completely consciousness course criticism death described Dickens early effect Elizabethan England English exist experience expression eyes fact father feel fiction Fielding figure George George Eliot gives greater Hardy heart hero human imagination important influence instance interest James Jane kind Lady later least less literary lives London look matter means mind Miss moral nature never novel novelist perhaps person plot political possible present prose reader reality relation represents respect satire scarcely scene Scott seems seen sense side situation social society stand story successful symbol things tion true turned Victorian whole woman women writing written wrote young