The English Novel: A Short Critical History |
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Page 222
Charlotte Brontė is to be judged as romantic writers , whether poets or novelists , always must be , by the intensity with which she expresses her response to life and experience . Her response is total and uninhibited .
Charlotte Brontė is to be judged as romantic writers , whether poets or novelists , always must be , by the intensity with which she expresses her response to life and experience . Her response is total and uninhibited .
Page 419
... whistled all day long - one must i pay back from this secret deposit of exquisite moments , she 0 thought , lifting the pad , while Lucy stood by her , trying to explain how Like Pater's , her attitude to experience is aesthetic .
... whistled all day long - one must i pay back from this secret deposit of exquisite moments , she 0 thought , lifting the pad , while Lucy stood by her , trying to explain how Like Pater's , her attitude to experience is aesthetic .
Page 420
and recapitulates moments of similar experience in the past through the links of association . Here Virginia Woolf is constantly doing on a small scale what Proust did in A la Recherche du Temps Perdu . What happens in a Virginia Woolf ...
and recapitulates moments of similar experience in the past through the links of association . Here Virginia Woolf is constantly doing on a small scale what Proust did in A la Recherche du Temps Perdu . What happens in a Virginia Woolf ...
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User Review - stillatim - LibraryThingRemember when literary critics read books and wrote about them? No? Well, I do now. He got a few things wrong - what did these people ever see in H.G. Wells? In Meredith? That they should be put next ... Read full review
Contents
THE BEGINNINGS | 3 |
THE EIGHTEENTH CENTURY | 31 |
THE FIRST GENERA | 107 |
Copyright | |
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accepted achievement action appear attempt Austen become better called century characters comedy comes comic completely consciousness course criticism death described Dickens early effect Elizabethan England English exist experience expression eyes fact father feel fiction Fielding figure George George Eliot gives greater heart hero human imagination important influence instance interest James Jane kind Lady later least less literary lives London look matter means mind Miss moral nature never novel novelist perhaps person plot political possible present prose reader reality relation remains represents respect satire scarcely scene Scott seems seen sense side situation social society story successful symbol things thought tion true turned Victorian whole woman women writing written wrote young