The English Novel: A Short Critical HistoryA brilliant, critical history of the novel from Bunyan to Lawrence and Joyce. |
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Page 11
This in itself is tribute enough to Deloney ' s force of imagination and expression .
Today , the most widely read work of Elizabethan fiction is Thomas Nash ' s The
Unfortunate Traveller , or The Life of Jack Wilton , published in 1594 . In content ...
This in itself is tribute enough to Deloney ' s force of imagination and expression .
Today , the most widely read work of Elizabethan fiction is Thomas Nash ' s The
Unfortunate Traveller , or The Life of Jack Wilton , published in 1594 . In content ...
Page 157
The taboo on the frank recognition and expression of sex had come into
existence slowly and , as it were , almost ... nothing is added to the original text ,
but those words and expressions are omitted which cannot with propriety be read
aloud ...
The taboo on the frank recognition and expression of sex had come into
existence slowly and , as it were , almost ... nothing is added to the original text ,
but those words and expressions are omitted which cannot with propriety be read
aloud ...
Page 333
The colloquial expression takes the place of the formal ; the abstract is translated
into the particular . Originally , the last sentence of his account of Ralph Touchett '
s ill health had been : " The truth was that he had simply accepted the situation ...
The colloquial expression takes the place of the formal ; the abstract is translated
into the particular . Originally , the last sentence of his account of Ralph Touchett '
s ill health had been : " The truth was that he had simply accepted the situation ...
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User Review - stillatim - LibraryThingRemember when literary critics read books and wrote about them? No? Well, I do now. He got a few things wrong - what did these people ever see in H.G. Wells? In Meredith? That they should be put next ... Read full review
Contents
THE BEGINNINGS | 3 |
THE EIGHTEENTH CENTURY | 31 |
THE FIRST GENERA | 107 |
Copyright | |
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Common terms and phrases
accepted achievement action appear attempt Austen become better called century characters comedy comes comic completely consciousness course criticism death described Dickens early effect Elizabethan England English exist experience expression eyes fact father feel fiction Fielding figure George George Eliot gives greater Hardy heart hero human imagination important influence instance interest James Jane kind Lady later least less literary lives London look matter means mind Miss moral nature never novel novelist perhaps person plot political possible present prose reader reality relation represents respect satire scarcely scene Scott seems seen sense side situation social society stand story successful symbol things tion true turned Victorian whole woman women writing written wrote young