The English Novel: A Short Critical HistoryA brilliant, critical history of the novel from Bunyan to Lawrence and Joyce. |
From inside the book
Results 1-3 of 78
Page 50
But we feel , of Mrs . Towwouse , Parson Trulliber ( the finest of them all , after
Adams himself ) , Mrs . Slipslop , and the rest , that they would be capable of
surprising us if they were given the oppor| tunity . “ I describe , " said Fielding , “
not men ...
But we feel , of Mrs . Towwouse , Parson Trulliber ( the finest of them all , after
Adams himself ) , Mrs . Slipslop , and the rest , that they would be capable of
surprising us if they were given the oppor| tunity . “ I describe , " said Fielding , “
not men ...
Page 101
But even then the background of scenery exists to feed Emily ' s sensibility ; it is
material for her feeling . ... From this point of view , The Mysteries of Udolpho may
be considered as a machine for making the reader feel similar emotions .
But even then the background of scenery exists to feed Emily ' s sensibility ; it is
material for her feeling . ... From this point of view , The Mysteries of Udolpho may
be considered as a machine for making the reader feel similar emotions .
Page 432
All nonconformity begins with “ I don ' t feel it here , " and this is no criticism of
nonconformity . But the nonconformist attitude , combined with a rancorous class
feeling , does give rise to a nagging , intolerable tone of moral superiority which ...
All nonconformity begins with “ I don ' t feel it here , " and this is no criticism of
nonconformity . But the nonconformist attitude , combined with a rancorous class
feeling , does give rise to a nagging , intolerable tone of moral superiority which ...
What people are saying - Write a review
LibraryThing Review
User Review - stillatim - LibraryThingRemember when literary critics read books and wrote about them? No? Well, I do now. He got a few things wrong - what did these people ever see in H.G. Wells? In Meredith? That they should be put next ... Read full review
Contents
THE BEGINNINGS | 3 |
THE EIGHTEENTH CENTURY | 31 |
THE FIRST GENERA | 107 |
Copyright | |
3 other sections not shown
Other editions - View all
Common terms and phrases
accepted achievement action appear attempt Austen become better called century characters comedy comes comic completely consciousness course criticism death described Dickens early effect Elizabethan England English exist experience expression eyes fact father feel fiction Fielding figure George George Eliot gives greater Hardy heart hero human imagination important influence instance interest James Jane kind Lady later least less literary lives London look matter means mind Miss moral nature never novel novelist perhaps person plot political possible present prose reader reality relation represents respect satire scarcely scene Scott seems seen sense side situation social society stand story successful symbol things tion true turned Victorian whole woman women writing written wrote young