The English Novel: A Short Critical HistoryA brilliant, critical history of the novel from Bunyan to Lawrence and Joyce. |
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Page xii
The obvious novelists with which to end my study seemed therefore to be Joyce
and Lawrence, emerging as they did round about 1914, the year which marks a
break in so many other things beside fiction. Joyce and Lawrence, with their ...
The obvious novelists with which to end my study seemed therefore to be Joyce
and Lawrence, emerging as they did round about 1914, the year which marks a
break in so many other things beside fiction. Joyce and Lawrence, with their ...
Page 10
The romantic and pastoral , however , is only one part of Elizabethan prose fiction
. Something akin to the realistic drama , the splendid plays of Jonson , Massinger
' s A New | Way to Pay Old Debts , and Beaumont and Fletcher ' s The Knight ...
The romantic and pastoral , however , is only one part of Elizabethan prose fiction
. Something akin to the realistic drama , the splendid plays of Jonson , Massinger
' s A New | Way to Pay Old Debts , and Beaumont and Fletcher ' s The Knight ...
Page 163
It is true that some Ainsworth has been read by the young until quite recently ,
probably because of the respectability historical fiction has always had in the
eyes of teachers and parents , who , by stressing the adjective , have been able
to soft ...
It is true that some Ainsworth has been read by the young until quite recently ,
probably because of the respectability historical fiction has always had in the
eyes of teachers and parents , who , by stressing the adjective , have been able
to soft ...
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User Review - stillatim - LibraryThingRemember when literary critics read books and wrote about them? No? Well, I do now. He got a few things wrong - what did these people ever see in H.G. Wells? In Meredith? That they should be put next ... Read full review
Contents
THE BEGINNINGS | 3 |
THE EIGHTEENTH CENTURY | 31 |
THE FIRST GENERA | 107 |
Copyright | |
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accepted achievement action appear attempt Austen become better called century characters comedy comes comic completely consciousness course criticism death described Dickens early effect Elizabethan England English exist experience expression eyes fact father feel fiction Fielding figure George George Eliot gives greater Hardy heart hero human imagination important influence instance interest James Jane kind Lady later least less literary lives London look matter means mind Miss moral nature never novel novelist perhaps person plot political possible present prose reader reality relation represents respect satire scarcely scene Scott seems seen sense side situation social society stand story successful symbol things tion true turned Victorian whole woman women writing written wrote young