The English Novel: A Short Critical HistoryA brilliant, critical history of the novel from Bunyan to Lawrence and Joyce. |
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Page 99
Mrs . Smith was scarcely a satirist , but her work and the characters in it spring
from a considered point of view . There is implicit in The Old Manor House a body
of ideas which gives the novel a real strength . Much less openly doctrinaire than
...
Mrs . Smith was scarcely a satirist , but her work and the characters in it spring
from a considered point of view . There is implicit in The Old Manor House a body
of ideas which gives the novel a real strength . Much less openly doctrinaire than
...
Page 275
When Flaubert , however , wrote to Louise Colet of his ambition “ to give verse -
rhythm to prose ” and to write about ordinary life as epics are written , he meant
exactly what he said . His concern was with words ; his aim was to give the prose
...
When Flaubert , however , wrote to Louise Colet of his ambition “ to give verse -
rhythm to prose ” and to write about ordinary life as epics are written , he meant
exactly what he said . His concern was with words ; his aim was to give the prose
...
Page 430
Among other things , it gives to Ulysses beyond any other novel the quality
Flaubert sought when he wrote of his desire " to give verse - rhythm to prose , yet
to leave it prose and very much prose , and to write about ordinary life as
histories and ...
Among other things , it gives to Ulysses beyond any other novel the quality
Flaubert sought when he wrote of his desire " to give verse - rhythm to prose , yet
to leave it prose and very much prose , and to write about ordinary life as
histories and ...
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User Review - stillatim - LibraryThingRemember when literary critics read books and wrote about them? No? Well, I do now. He got a few things wrong - what did these people ever see in H.G. Wells? In Meredith? That they should be put next ... Read full review
Contents
THE BEGINNINGS | 3 |
THE EIGHTEENTH CENTURY | 31 |
THE FIRST GENERA | 107 |
Copyright | |
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accepted achievement action appear attempt Austen become better called century characters comedy comes comic completely consciousness course criticism death described Dickens early effect Elizabethan England English exist experience expression eyes fact father feel fiction Fielding figure George George Eliot gives greater Hardy heart hero human imagination important influence instance interest James Jane kind Lady later least less literary lives London look matter means mind Miss moral nature never novel novelist perhaps person plot political possible present prose reader reality relation represents respect satire scarcely scene Scott seems seen sense side situation social society stand story successful symbol things tion true turned Victorian whole woman women writing written wrote young