The English Novel: A Short Critical History |
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Page 99
There is implicit in The Old Manor House a body of ideas which gives the novel a real strength . Much less openly doctrinaire than Bage and Godwin , Mrs. Smith was all the same a radical ; without in the least distorting her fiction to ...
There is implicit in The Old Manor House a body of ideas which gives the novel a real strength . Much less openly doctrinaire than Bage and Godwin , Mrs. Smith was all the same a radical ; without in the least distorting her fiction to ...
Page 275
When Flaubert , however , wrote to Louise Colet of his ambition " to give verse - rhythm to prose " and to write about ordinary life as epics are written , he meant exactly what he said . His concern was with words ; his aim was to give ...
When Flaubert , however , wrote to Louise Colet of his ambition " to give verse - rhythm to prose " and to write about ordinary life as epics are written , he meant exactly what he said . His concern was with words ; his aim was to give ...
Page 430
Among other things , it gives to Ulysses beyond any other novel the quality Flaubert sought when he wrote of his desire " to give verse - rhythm to prose , yet to leave it prose and very much prose , and to write about ordinary life as ...
Among other things , it gives to Ulysses beyond any other novel the quality Flaubert sought when he wrote of his desire " to give verse - rhythm to prose , yet to leave it prose and very much prose , and to write about ordinary life as ...
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User Review - stillatim - LibraryThingRemember when literary critics read books and wrote about them? No? Well, I do now. He got a few things wrong - what did these people ever see in H.G. Wells? In Meredith? That they should be put next ... Read full review
Contents
THE BEGINNINGS | 3 |
THE EIGHTEENTH CENTURY | 31 |
THE FIRST GENERA | 107 |
Copyright | |
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accepted achievement action appear attempt Austen become better called century characters comedy comes comic completely consciousness course criticism death described Dickens early effect Elizabethan England English exist experience expression eyes fact father feel fiction Fielding figure George George Eliot gives greater heart hero human imagination important influence instance interest James Jane kind Lady later least less literary lives London look matter means mind Miss moral nature never novel novelist perhaps person plot political possible present prose reader reality relation remains represents respect satire scarcely scene Scott seems seen sense side situation social society story successful symbol things thought tion true turned Victorian whole woman women writing written wrote young