The English Novel: A Short Critical HistoryA brilliant, critical history of the novel from Bunyan to Lawrence and Joyce. |
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Page xxii
There are few novels we can discuss as we can the Immortality Ode , and one
reason for this is the much greater compactness of poetry as compared with
prose , the much greater degree of crystallization which takes place in a poem .
We can ...
There are few novels we can discuss as we can the Immortality Ode , and one
reason for this is the much greater compactness of poetry as compared with
prose , the much greater degree of crystallization which takes place in a poem .
We can ...
Page 193
But the coach , and pedestrianism for those who could not afford the coach , gave
way before the train with its first - , second - , and third - class compartments , its
much greater speed and its much greater cheapness . And the arrival of the train
...
But the coach , and pedestrianism for those who could not afford the coach , gave
way before the train with its first - , second - , and third - class compartments , its
much greater speed and its much greater cheapness . And the arrival of the train
...
Page 313
It is hardly too much to say that the greater part of his significant work is a
dramatization of the conflict between good and evil . James ' s range as a novelist
was considerably greater than one might guess either from his admirers or from
his ...
It is hardly too much to say that the greater part of his significant work is a
dramatization of the conflict between good and evil . James ' s range as a novelist
was considerably greater than one might guess either from his admirers or from
his ...
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User Review - stillatim - LibraryThingRemember when literary critics read books and wrote about them? No? Well, I do now. He got a few things wrong - what did these people ever see in H.G. Wells? In Meredith? That they should be put next ... Read full review
Contents
THE BEGINNINGS | 3 |
THE EIGHTEENTH CENTURY | 31 |
THE FIRST GENERA | 107 |
Copyright | |
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accepted achievement action appear attempt Austen become better called century characters comedy comes comic completely consciousness course criticism death described Dickens early effect Elizabethan England English exist experience expression eyes fact father feel fiction Fielding figure George George Eliot gives greater Hardy heart hero human imagination important influence instance interest James Jane kind Lady later least less literary lives London look matter means mind Miss moral nature never novel novelist perhaps person plot political possible present prose reader reality relation represents respect satire scarcely scene Scott seems seen sense side situation social society stand story successful symbol things tion true turned Victorian whole woman women writing written wrote young