The English Novel: A Short Critical HistoryA brilliant, critical history of the novel from Bunyan to Lawrence and Joyce. |
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Page 55
While his wanton fancy roamed unbounded over all her beauties , and his lively
imagination painted the charming maid in various ravishing forms , his warm
heart melted with tenderness ; and at length , throwing himself on the ground , by
the ...
While his wanton fancy roamed unbounded over all her beauties , and his lively
imagination painted the charming maid in various ravishing forms , his warm
heart melted with tenderness ; and at length , throwing himself on the ground , by
the ...
Page 117
... own heart , that principle of right which had not formed any essential part of her
education , made her miserable under it ... self - command , just consideration of
others , knowledge of the heart , and a principle of right derived from education .
... own heart , that principle of right which had not formed any essential part of her
education , made her miserable under it ... self - command , just consideration of
others , knowledge of the heart , and a principle of right derived from education .
Page 364
Conrad ' s furthest exploration of evil is his short story , Heart of Darkness ( 1902 )
, which describes a voyage up the Congo into the heart of Africa closely
resembling a jour . ney Conrad had made . The heart of darkness of the title is at
once ...
Conrad ' s furthest exploration of evil is his short story , Heart of Darkness ( 1902 )
, which describes a voyage up the Congo into the heart of Africa closely
resembling a jour . ney Conrad had made . The heart of darkness of the title is at
once ...
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User Review - stillatim - LibraryThingRemember when literary critics read books and wrote about them? No? Well, I do now. He got a few things wrong - what did these people ever see in H.G. Wells? In Meredith? That they should be put next ... Read full review
Contents
THE BEGINNINGS | 3 |
THE EIGHTEENTH CENTURY | 31 |
THE FIRST GENERA | 107 |
Copyright | |
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accepted achievement action appear attempt Austen become better called century characters comedy comes comic completely consciousness course criticism death described Dickens early effect Elizabethan England English exist experience expression eyes fact father feel fiction Fielding figure George George Eliot gives greater Hardy heart hero human imagination important influence instance interest James Jane kind Lady later least less literary lives London look matter means mind Miss moral nature never novel novelist perhaps person plot political possible present prose reader reality relation represents respect satire scarcely scene Scott seems seen sense side situation social society stand story successful symbol things tion true turned Victorian whole woman women writing written wrote young