The English Novel: A Short Critical HistoryA brilliant, critical history of the novel from Bunyan to Lawrence and Joyce. |
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Page 162
... Scott ' s first novels and those of Dickens only two seem to me to have merit
enough to keep their works still worth reading in their own right ; the others
whose names survive in literary history have only the wannest kind of historical
interest .
... Scott ' s first novels and those of Dickens only two seem to me to have merit
enough to keep their works still worth reading in their own right ; the others
whose names survive in literary history have only the wannest kind of historical
interest .
Page 414
... comedy , tragedy , love interest , and an air of probability embalming the whole
so impeccable that if all his figures were to come to life they would find
themselves dressed down to the last button of their coats in the fashion of the
hour .
... comedy , tragedy , love interest , and an air of probability embalming the whole
so impeccable that if all his figures were to come to life they would find
themselves dressed down to the last button of their coats in the fashion of the
hour .
Page 427
Will interest in the novel then be exhausted ? If it is , Ulysses will have been
proved a gigantic stillbirth . But it may be that the real fructifying interest in the
novel will begin to operate only after the scholiasts have finished their work . In
any case ...
Will interest in the novel then be exhausted ? If it is , Ulysses will have been
proved a gigantic stillbirth . But it may be that the real fructifying interest in the
novel will begin to operate only after the scholiasts have finished their work . In
any case ...
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User Review - stillatim - LibraryThingRemember when literary critics read books and wrote about them? No? Well, I do now. He got a few things wrong - what did these people ever see in H.G. Wells? In Meredith? That they should be put next ... Read full review
Contents
THE BEGINNINGS | 3 |
THE EIGHTEENTH CENTURY | 31 |
THE FIRST GENERA | 107 |
Copyright | |
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accepted achievement action appear attempt Austen become better called century characters comedy comes comic completely consciousness course criticism death described Dickens early effect Elizabethan England English exist experience expression eyes fact father feel fiction Fielding figure George George Eliot gives greater Hardy heart hero human imagination important influence instance interest James Jane kind Lady later least less literary lives London look matter means mind Miss moral nature never novel novelist perhaps person plot political possible present prose reader reality relation represents respect satire scarcely scene Scott seems seen sense side situation social society stand story successful symbol things tion true turned Victorian whole woman women writing written wrote young