The English Novel: A Short Critical History |
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Page 194
plots of the later novels . They were a necessary structure for him . Dickens was not a realistic novelist : his one attempt at something that may be called realistic , David Copperfield , is marvelous but a failure : " He begins ...
plots of the later novels . They were a necessary structure for him . Dickens was not a realistic novelist : his one attempt at something that may be called realistic , David Copperfield , is marvelous but a failure : " He begins ...
Page 233
But The Warden is merely the gateway to Barsetshire , and his full powers are not seen until later in the series . The note of these early books , of Barchester Towers , for instance , is an easy humor , and there is always the ...
But The Warden is merely the gateway to Barsetshire , and his full powers are not seen until later in the series . The note of these early books , of Barchester Towers , for instance , is an easy humor , and there is always the ...
Page 449
Newby , P. H. , 413 spectability on the novel , 156on Maria Edgeworth , 107 161 Newcomes , The , 205 European influence , and growth Newman , Cardinal , 127 , 156 of seriousness in later VictoNicholas Nickleby , 187 , 191-192 rian ...
Newby , P. H. , 413 spectability on the novel , 156on Maria Edgeworth , 107 161 Newcomes , The , 205 European influence , and growth Newman , Cardinal , 127 , 156 of seriousness in later VictoNicholas Nickleby , 187 , 191-192 rian ...
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User Review - stillatim - LibraryThingRemember when literary critics read books and wrote about them? No? Well, I do now. He got a few things wrong - what did these people ever see in H.G. Wells? In Meredith? That they should be put next ... Read full review
Contents
THE BEGINNINGS | 3 |
THE EIGHTEENTH CENTURY | 31 |
THE FIRST GENERA | 107 |
Copyright | |
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accepted achievement action appear attempt Austen become better called century characters comedy comes comic completely consciousness course criticism death described Dickens early effect Elizabethan England English exist experience expression eyes fact father feel fiction Fielding figure George George Eliot gives greater heart hero human imagination important influence instance interest James Jane kind Lady later least less literary lives London look matter means mind Miss moral nature never novel novelist perhaps person plot political possible present prose reader reality relation remains represents respect satire scarcely scene Scott seems seen sense side situation social society story successful symbol things thought tion true turned Victorian whole woman women writing written wrote young