The English Novel: A Short Critical History |
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Page 143
The Irish novelists of the time , who had found their exemplars in Maria Edgeworth and Scott , are much less interesting . Their natural talents were smaller and their interpretation of life crude . They were folklorists rather than ...
The Irish novelists of the time , who had found their exemplars in Maria Edgeworth and Scott , are much less interesting . Their natural talents were smaller and their interpretation of life crude . They were folklorists rather than ...
Page 209
Mrs. Gaskell is only less successful in Wives and Daughį ters because she is working on a larger scale . Wives and Daughters is a very perceptive rendering of the class structure of a provincial society as seen from the position of a ...
Mrs. Gaskell is only less successful in Wives and Daughį ters because she is working on a larger scale . Wives and Daughters is a very perceptive rendering of the class structure of a provincial society as seen from the position of a ...
Page 296
He too is a sentimental creation , and made the less convincing because , according to the doctor , he is a boy " of a sort unknown in the last generation ... the beginning of the coming universal wish not to live .
He too is a sentimental creation , and made the less convincing because , according to the doctor , he is a boy " of a sort unknown in the last generation ... the beginning of the coming universal wish not to live .
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User Review - stillatim - LibraryThingRemember when literary critics read books and wrote about them? No? Well, I do now. He got a few things wrong - what did these people ever see in H.G. Wells? In Meredith? That they should be put next ... Read full review
Contents
THE BEGINNINGS | 3 |
THE EIGHTEENTH CENTURY | 31 |
THE FIRST GENERA | 107 |
Copyright | |
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accepted achievement action appear attempt Austen become better called century characters comedy comes comic completely consciousness course criticism death described Dickens early effect Elizabethan England English exist experience expression eyes fact father feel fiction Fielding figure George George Eliot gives greater heart hero human imagination important influence instance interest James Jane kind Lady later least less literary lives London look matter means mind Miss moral nature never novel novelist perhaps person plot political possible present prose reader reality relation remains represents respect satire scarcely scene Scott seems seen sense side situation social society story successful symbol things thought tion true turned Victorian whole woman women writing written wrote young