The English Novel: A Short Critical HistoryA brilliant, critical history of the novel from Bunyan to Lawrence and Joyce. |
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Page 143
The Irish novelists of the time , who had found their exemplars in Maria
Edgeworth and Scott , are much less interesting . Their natural talents were
smaller and their interpretation of life crude . They were folklorists rather than
novelists , and ...
The Irish novelists of the time , who had found their exemplars in Maria
Edgeworth and Scott , are much less interesting . Their natural talents were
smaller and their interpretation of life crude . They were folklorists rather than
novelists , and ...
Page 209
Mrs . Gaskell is only less successful in Wives and Daughters because she is
working on a larger scale . Wives and Daughters is a very perceptive rendering of
the class structure of a provincial society as seen from the position of a doctor ' s ...
Mrs . Gaskell is only less successful in Wives and Daughters because she is
working on a larger scale . Wives and Daughters is a very perceptive rendering of
the class structure of a provincial society as seen from the position of a doctor ' s ...
Page 296
He too is a sentimental creation , and made the less convincing because ,
according to the doctor , he is a boy " of a sort unknown in the last generation . . .
the beginning of the coming universal wish not to live . ” The philosophical
explanation ...
He too is a sentimental creation , and made the less convincing because ,
according to the doctor , he is a boy " of a sort unknown in the last generation . . .
the beginning of the coming universal wish not to live . ” The philosophical
explanation ...
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User Review - stillatim - LibraryThingRemember when literary critics read books and wrote about them? No? Well, I do now. He got a few things wrong - what did these people ever see in H.G. Wells? In Meredith? That they should be put next ... Read full review
Contents
THE BEGINNINGS | 3 |
THE EIGHTEENTH CENTURY | 31 |
THE FIRST GENERA | 107 |
Copyright | |
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accepted achievement action appear attempt Austen become better called century characters comedy comes comic completely consciousness course criticism death described Dickens early effect Elizabethan England English exist experience expression eyes fact father feel fiction Fielding figure George George Eliot gives greater Hardy heart hero human imagination important influence instance interest James Jane kind Lady later least less literary lives London look matter means mind Miss moral nature never novel novelist perhaps person plot political possible present prose reader reality relation represents respect satire scarcely scene Scott seems seen sense side situation social society stand story successful symbol things tion true turned Victorian whole woman women writing written wrote young