The English Novel: A Short Critical History |
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Page xii
a a > lives . Because of this , we cannot hope to be able to judge them as we can novelists of the past . The critical approach to our contemporaries must differ from the critical approach to writers of the past , if only because we are ...
a a > lives . Because of this , we cannot hope to be able to judge them as we can novelists of the past . The critical approach to our contemporaries must differ from the critical approach to writers of the past , if only because we are ...
Page 394
Ford liberates his characters — Henry , Katherine , Cranmer , the Princess Mary , Cromwell , Throckmorton , and the rest from the associations encrusting them from four centuries of bitter sectarian history , so that they live as human ...
Ford liberates his characters — Henry , Katherine , Cranmer , the Princess Mary , Cromwell , Throckmorton , and the rest from the associations encrusting them from four centuries of bitter sectarian history , so that they live as human ...
Page 395
1 Are all men's lives like the lives of us good peoplelives of the Ashburnhams , of the Dowells , of the Ruffords broken , tumultuous , agonized , and unromantic lives , periods punctuated by screams , by imbecilities , by deaths ...
1 Are all men's lives like the lives of us good peoplelives of the Ashburnhams , of the Dowells , of the Ruffords broken , tumultuous , agonized , and unromantic lives , periods punctuated by screams , by imbecilities , by deaths ...
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User Review - stillatim - LibraryThingRemember when literary critics read books and wrote about them? No? Well, I do now. He got a few things wrong - what did these people ever see in H.G. Wells? In Meredith? That they should be put next ... Read full review
Contents
THE BEGINNINGS | 3 |
THE EIGHTEENTH CENTURY | 31 |
THE FIRST GENERA | 107 |
Copyright | |
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accepted achievement action appear attempt Austen become better called century characters comedy comes comic completely consciousness course criticism death described Dickens early effect Elizabethan England English exist experience expression eyes fact father feel fiction Fielding figure George George Eliot gives greater heart hero human imagination important influence instance interest James Jane kind Lady later least less literary lives London look matter means mind Miss moral nature never novel novelist perhaps person plot political possible present prose reader reality relation remains represents respect satire scarcely scene Scott seems seen sense side situation social society story successful symbol things thought tion true turned Victorian whole woman women writing written wrote young