The English Novel: A Short Critical History |
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Page 32
... master's daughter , he became , as industrious apprentices should , a successful businessman , printer of the journals of the House of Commons , Master of the Stationer's Company , and Law Printer to the King . He turned novelist at the ...
... master's daughter , he became , as industrious apprentices should , a successful businessman , printer of the journals of the House of Commons , Master of the Stationer's Company , and Law Printer to the King . He turned novelist at the ...
Page 211
... master would employ any workman in future , unless he signed a declaration that he did not belong to any Trades Union , and pledged himself not to assist or subscribe to any society , having for its object interference with the master's ...
... master would employ any workman in future , unless he signed a declaration that he did not belong to any Trades Union , and pledged himself not to assist or subscribe to any society , having for its object interference with the master's ...
Page 335
... Master of Ballantrae ( 1889 ) is a bigger book , more ambitious , less successful because Stevenson was in part attempting what then he could not do . The action turns on the character of Alison , and at the time of writing the novel ...
... Master of Ballantrae ( 1889 ) is a bigger book , more ambitious , less successful because Stevenson was in part attempting what then he could not do . The action turns on the character of Alison , and at the time of writing the novel ...
Contents
THE BEGINNINGS | 7 |
THE EIGHTEENTH CENTURY | 31 |
THE FIRST GENERA | 107 |
Copyright | |
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achievement acters action Adam Bede appear artist become behavior Bennett Brontë called century characters Charlotte Brontë Clayhanger comedy comic Conrad consciousness contemporary criticism D. H. Lawrence described Dickens dramatic E. M. Forster eighteenth-century Elizabethan Emily Brontë England English novel English novelists exist expression fact father feel fiction Fielding Fielding's figure Forster George Eliot Gissing Hardy Hardy's hero heroine human humor imagination instance James James's Jane Austen Jane Eyre Joyce Jude kind Lady later Lawrence less literary lives London Meredith mind Miss Austen moral nature never novelist Oroonoko passion perhaps plot poetry Princess Casamassima prose reader reality Richardson romantic satire scarcely scene Scott seems sense Smollett social society Sons and Lovers story successful symbol Thackeray things tion Tom Jones tragic Trollope Victorian Virginia Woolf whole woman women words writing written wrote Wuthering Heights young