The English Novel: A Short Critical HistoryA brilliant, critical history of the novel from Bunyan to Lawrence and Joyce. |
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Page 18
so , if the word " picaresque " is now stretched , as it commonly is , to mean any
novel in which the hero takes a journey whose course plunges him into all sorts ,
conditions , and classes of men , The Pilgrim ' s Progress is not so different in ...
so , if the word " picaresque " is now stretched , as it commonly is , to mean any
novel in which the hero takes a journey whose course plunges him into all sorts ,
conditions , and classes of men , The Pilgrim ' s Progress is not so different in ...
Page 272
It is these “ spots of commonness , ” this discontinuity in the fineness of his texture
, which lead to his marrying Rosamond Vincy , that magnificent image of the self -
satisfied acceptance of a mean notion of social behavior . Rosamond is ...
It is these “ spots of commonness , ” this discontinuity in the fineness of his texture
, which lead to his marrying Rosamond Vincy , that magnificent image of the self -
satisfied acceptance of a mean notion of social behavior . Rosamond is ...
Page 294
Not so Clym , Eustacia , Thomasin , and Wildeve ; these are cut off from nature ,
and that they are cut off means that they are undone , though in the case of
Thomasin , Hardy altered his original conclusion of the novel to provide her with
a ...
Not so Clym , Eustacia , Thomasin , and Wildeve ; these are cut off from nature ,
and that they are cut off means that they are undone , though in the case of
Thomasin , Hardy altered his original conclusion of the novel to provide her with
a ...
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User Review - stillatim - LibraryThingRemember when literary critics read books and wrote about them? No? Well, I do now. He got a few things wrong - what did these people ever see in H.G. Wells? In Meredith? That they should be put next ... Read full review
Contents
THE BEGINNINGS | 3 |
THE EIGHTEENTH CENTURY | 31 |
THE FIRST GENERA | 107 |
Copyright | |
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Common terms and phrases
accepted achievement action appear attempt Austen become better called century characters comedy comes comic completely consciousness course criticism death described Dickens early effect Elizabethan England English exist experience expression eyes fact father feel fiction Fielding figure George George Eliot gives greater Hardy heart hero human imagination important influence instance interest James Jane kind Lady later least less literary lives London look matter means mind Miss moral nature never novel novelist perhaps person plot political possible present prose reader reality relation represents respect satire scarcely scene Scott seems seen sense side situation social society stand story successful symbol things tion true turned Victorian whole woman women writing written wrote young