The English Novel: A Short Critical HistoryA brilliant, critical history of the novel from Bunyan to Lawrence and Joyce. |
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Page 289
verse morals were beside the point ; between the forces of nature , including
therein the forces of his own nature , and man ' s aspirations there could be no
reconciliation ; they were eternally opposed , and from the human view the
workings of ...
verse morals were beside the point ; between the forces of nature , including
therein the forces of his own nature , and man ' s aspirations there could be no
reconciliation ; they were eternally opposed , and from the human view the
workings of ...
Page 296
... the issue is being brought about not because it is in the nature of things but
because Hardy wishes it to be so . It is the one turn of the screw too many . But
these failures in the management of his plots matter less in Hardy than they
would in ...
... the issue is being brought about not because it is in the nature of things but
because Hardy wishes it to be so . It is the one turn of the screw too many . But
these failures in the management of his plots matter less in Hardy than they
would in ...
Page 306
... scarcely need . ing proof . He is saying , in effect , much what Wyndham Lewis
has said in The Writer and the Absolute : . . . there is in all those arts which
parallel nature something like a law obliging the artist to a fanatical scrupulosity ,
as it ...
... scarcely need . ing proof . He is saying , in effect , much what Wyndham Lewis
has said in The Writer and the Absolute : . . . there is in all those arts which
parallel nature something like a law obliging the artist to a fanatical scrupulosity ,
as it ...
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User Review - stillatim - LibraryThingRemember when literary critics read books and wrote about them? No? Well, I do now. He got a few things wrong - what did these people ever see in H.G. Wells? In Meredith? That they should be put next ... Read full review
Contents
THE BEGINNINGS | 3 |
THE EIGHTEENTH CENTURY | 31 |
THE FIRST GENERA | 107 |
Copyright | |
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accepted achievement action appear attempt Austen become better called century characters comedy comes comic completely consciousness course criticism death described Dickens early effect Elizabethan England English exist experience expression eyes fact father feel fiction Fielding figure George George Eliot gives greater Hardy heart hero human imagination important influence instance interest James Jane kind Lady later least less literary lives London look matter means mind Miss moral nature never novel novelist perhaps person plot political possible present prose reader reality relation represents respect satire scarcely scene Scott seems seen sense side situation social society stand story successful symbol things tion true turned Victorian whole woman women writing written wrote young