The English Novel: A Short Critical HistoryA brilliant, critical history of the novel from Bunyan to Lawrence and Joyce. |
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Page 77
There are , for instance , Mr . Shandy , the theorist with theories on every subject
under the sun , and his wife : the relation between them is implicit in the following
passage : It was a consuming vexation to my father that my mother never asked ...
There are , for instance , Mr . Shandy , the theorist with theories on every subject
under the sun , and his wife : the relation between them is implicit in the following
passage : It was a consuming vexation to my father that my mother never asked ...
Page 111
But listen to her as she thinks aloud : " It will do very well , never mind , ” repeated
Petito , mut . tering to herself as she looked after the ladies whilst they ran
downstairs . “ I can ' t abide to dress any young lady who says never mind , and it
will ...
But listen to her as she thinks aloud : " It will do very well , never mind , ” repeated
Petito , mut . tering to herself as she looked after the ladies whilst they ran
downstairs . “ I can ' t abide to dress any young lady who says never mind , and it
will ...
Page 187
He was so affected by the experience that he never even spoke of it to his
children ; they discovered it for the first time from Forster ' s life of him . And the
feeling of abandonment was not due simply to the fact that he , a middleclass
child who ...
He was so affected by the experience that he never even spoke of it to his
children ; they discovered it for the first time from Forster ' s life of him . And the
feeling of abandonment was not due simply to the fact that he , a middleclass
child who ...
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User Review - stillatim - LibraryThingRemember when literary critics read books and wrote about them? No? Well, I do now. He got a few things wrong - what did these people ever see in H.G. Wells? In Meredith? That they should be put next ... Read full review
Contents
THE BEGINNINGS | 3 |
THE EIGHTEENTH CENTURY | 31 |
THE FIRST GENERA | 107 |
Copyright | |
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accepted achievement action appear attempt Austen become better called century characters comedy comes comic completely consciousness course criticism death described Dickens early effect Elizabethan England English exist experience expression eyes fact father feel fiction Fielding figure George George Eliot gives greater Hardy heart hero human imagination important influence instance interest James Jane kind Lady later least less literary lives London look matter means mind Miss moral nature never novel novelist perhaps person plot political possible present prose reader reality relation represents respect satire scarcely scene Scott seems seen sense side situation social society stand story successful symbol things tion true turned Victorian whole woman women writing written wrote young