The English Novel: A Short Critical History |
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Page xv
INTRODUCTION a LITERARY HISTORIANS , horrified it seems by the newness of the form , have commonly thought it necessary to provide the novel with a respectable antiquity , much as the genealogist fits out the parvenu with an impeccable ...
INTRODUCTION a LITERARY HISTORIANS , horrified it seems by the newness of the form , have commonly thought it necessary to provide the novel with a respectable antiquity , much as the genealogist fits out the parvenu with an impeccable ...
Page 379
The novel is conceived on a much smaller scale than 31 anything in Dickens , but Dickens himself created no surer character than Mr. Polly . He is in many ways the hero of a fairy story , but a hero he is , and has his moment of ...
The novel is conceived on a much smaller scale than 31 anything in Dickens , but Dickens himself created no surer character than Mr. Polly . He is in many ways the hero of a fairy story , but a hero he is , and has his moment of ...
Page 438
But if Lawrence's characters are not always easy to explain, at least they always triumphantly are. Formally, his novels are probably as defective as any written, which is why he is at his best artistically in his short stories.
But if Lawrence's characters are not always easy to explain, at least they always triumphantly are. Formally, his novels are probably as defective as any written, which is why he is at his best artistically in his short stories.
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User Review - stillatim - LibraryThingRemember when literary critics read books and wrote about them? No? Well, I do now. He got a few things wrong - what did these people ever see in H.G. Wells? In Meredith? That they should be put next ... Read full review
Contents
THE BEGINNINGS | 3 |
THE EIGHTEENTH CENTURY | 31 |
THE FIRST GENERA | 107 |
Copyright | |
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accepted achievement action appear attempt Austen become better called century characters comedy comes comic completely consciousness course criticism death described Dickens early effect Elizabethan England English exist experience expression eyes fact father feel fiction Fielding figure George George Eliot gives greater heart hero human imagination important influence instance interest James Jane kind Lady later least less literary lives London look matter means mind Miss moral nature never novel novelist perhaps person plot political possible present prose reader reality relation remains represents respect satire scarcely scene Scott seems seen sense side situation social society story successful symbol things thought tion true turned Victorian whole woman women writing written wrote young