The English Novel: A Short Critical HistoryA brilliant, critical history of the novel from Bunyan to Lawrence and Joyce. |
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Page 58
He very seldom swore at her ( perhaps not above once a week ) and never beat
her : she had not the least occasion for jealousy , and was perfect mistress of her
time ; for she was never interrupted by her husband , who was engaged all the ...
He very seldom swore at her ( perhaps not above once a week ) and never beat
her : she had not the least occasion for jealousy , and was perfect mistress of her
time ; for she was never interrupted by her husband , who was engaged all the ...
Page 74
technique with Virginia Woolf ' s , and perhaps the quotation of a passage from
her essay on the modern novel will indicate , better than anything else , the
nature of Sterne ' s mind and its perceptions . Examine for a moment an ordinary
mind ...
technique with Virginia Woolf ' s , and perhaps the quotation of a passage from
her essay on the modern novel will indicate , better than anything else , the
nature of Sterne ' s mind and its perceptions . Examine for a moment an ordinary
mind ...
Page 154
Within thirty years they had departed , and with them perhaps the public sense of
the possibility of further Immortals ; at any rate , Meredith , for all his great
reputation and his enormous influence at the end of his life , was always a small
seller ...
Within thirty years they had departed , and with them perhaps the public sense of
the possibility of further Immortals ; at any rate , Meredith , for all his great
reputation and his enormous influence at the end of his life , was always a small
seller ...
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User Review - stillatim - LibraryThingRemember when literary critics read books and wrote about them? No? Well, I do now. He got a few things wrong - what did these people ever see in H.G. Wells? In Meredith? That they should be put next ... Read full review
Contents
THE BEGINNINGS | 3 |
THE EIGHTEENTH CENTURY | 31 |
THE FIRST GENERA | 107 |
Copyright | |
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accepted achievement action appear attempt Austen become better called century characters comedy comes comic completely consciousness course criticism death described Dickens early effect Elizabethan England English exist experience expression eyes fact father feel fiction Fielding figure George George Eliot gives greater Hardy heart hero human imagination important influence instance interest James Jane kind Lady later least less literary lives London look matter means mind Miss moral nature never novel novelist perhaps person plot political possible present prose reader reality relation represents respect satire scarcely scene Scott seems seen sense side situation social society stand story successful symbol things tion true turned Victorian whole woman women writing written wrote young