The English Novel: A Short Critical History |
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Page 33
We , however , come to Richardson with two centuries of novels behind us ; it is scarcely possible for us to imagine the intense shock of novelty that Pamela must have had for its first readers . There had been nothing like it before .
We , however , come to Richardson with two centuries of novels behind us ; it is scarcely possible for us to imagine the intense shock of novelty that Pamela must have had for its first readers . There had been nothing like it before .
Page 96
In this world , men are awful and incalculable , when seen in the light of possible husbands or potential seducers , or ludicrous , if , as often , they think themselves possible husbands but are seen quite otherwise by the young women ...
In this world , men are awful and incalculable , when seen in the light of possible husbands or potential seducers , or ludicrous , if , as often , they think themselves possible husbands but are seen quite otherwise by the young women ...
Page 427
Presumably , the day will come when the scholiasts have laid bare all the possible meanings , references , parallels , correspondences so artfully embedded in the text . Will interest in the novel then be exhausted ?
Presumably , the day will come when the scholiasts have laid bare all the possible meanings , references , parallels , correspondences so artfully embedded in the text . Will interest in the novel then be exhausted ?
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User Review - stillatim - LibraryThingRemember when literary critics read books and wrote about them? No? Well, I do now. He got a few things wrong - what did these people ever see in H.G. Wells? In Meredith? That they should be put next ... Read full review
Contents
THE BEGINNINGS | 3 |
THE EIGHTEENTH CENTURY | 31 |
THE FIRST GENERA | 107 |
Copyright | |
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accepted achievement action appear attempt Austen become better called century characters comedy comes comic completely consciousness course criticism death described Dickens early effect Elizabethan England English exist experience expression eyes fact father feel fiction Fielding figure George George Eliot gives greater heart hero human imagination important influence instance interest James Jane kind Lady later least less literary lives London look matter means mind Miss moral nature never novel novelist perhaps person plot political possible present prose reader reality relation remains represents respect satire scarcely scene Scott seems seen sense side situation social society story successful symbol things thought tion true turned Victorian whole woman women writing written wrote young