The English Novel: A Short Critical History |
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Page 9
Sidney , too , aimed at giving prose something of the formal pattern of verse , but , a better poet than Lyly , he was able to do something else , to give his prose , on occasion at any rate , the beauty of poetry .
Sidney , too , aimed at giving prose something of the formal pattern of verse , but , a better poet than Lyly , he was able to do something else , to give his prose , on occasion at any rate , the beauty of poetry .
Page 12
As a novel , or as novel in posse , it has commonly been overrated , because critics have fallen under the spell of Nash's prose . Understandably , for as a writer of imaginative prose he was unequaled in his age by any except ...
As a novel , or as novel in posse , it has commonly been overrated , because critics have fallen under the spell of Nash's prose . Understandably , for as a writer of imaginative prose he was unequaled in his age by any except ...
Page 14
antiromantic , possessed of insatiable gusto , and these qualities combine to knit the sinews of his prose . It was during this period that the English began to acquire the habit of reading , in the absence of which the writing of ...
antiromantic , possessed of insatiable gusto , and these qualities combine to knit the sinews of his prose . It was during this period that the English began to acquire the habit of reading , in the absence of which the writing of ...
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User Review - stillatim - LibraryThingRemember when literary critics read books and wrote about them? No? Well, I do now. He got a few things wrong - what did these people ever see in H.G. Wells? In Meredith? That they should be put next ... Read full review
Contents
THE BEGINNINGS | 3 |
THE EIGHTEENTH CENTURY | 31 |
THE FIRST GENERA | 107 |
Copyright | |
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accepted achievement action appear attempt Austen become better called century characters comedy comes comic completely consciousness course criticism death described Dickens early effect Elizabethan England English exist experience expression eyes fact father feel fiction Fielding figure George George Eliot gives greater heart hero human imagination important influence instance interest James Jane kind Lady later least less literary lives London look matter means mind Miss moral nature never novel novelist perhaps person plot political possible present prose reader reality relation remains represents respect satire scarcely scene Scott seems seen sense side situation social society story successful symbol things thought tion true turned Victorian whole woman women writing written wrote young