The English Novel: A Short Critical History |
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Page 128
The point is that they are all rooted in the most palpable kinds of material reality , the reality of life shaped by the forces of history , or the reality of work , of traditional skills and professions . These realities give them ...
The point is that they are all rooted in the most palpable kinds of material reality , the reality of life shaped by the forces of history , or the reality of work , of traditional skills and professions . These realities give them ...
Page 226
Emily Brontė's province is reality , but spiritual reality ; in Wuth ering Heights death is not an end but a liberation of the spirit , and in the world of Wuthering Heights those we normally call the living and the dead exist side by ...
Emily Brontė's province is reality , but spiritual reality ; in Wuth ering Heights death is not an end but a liberation of the spirit , and in the world of Wuthering Heights those we normally call the living and the dead exist side by ...
Page 405
Its theme is reality and its nature , as is made plain in the first chapter , in which the hero Rickie , then an undergraduate , is discussing with his friends the metaphysical problem , Does a cow exist when there is no one there to ...
Its theme is reality and its nature , as is made plain in the first chapter , in which the hero Rickie , then an undergraduate , is discussing with his friends the metaphysical problem , Does a cow exist when there is no one there to ...
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User Review - stillatim - LibraryThingRemember when literary critics read books and wrote about them? No? Well, I do now. He got a few things wrong - what did these people ever see in H.G. Wells? In Meredith? That they should be put next ... Read full review
Contents
THE BEGINNINGS | 3 |
THE EIGHTEENTH CENTURY | 31 |
THE FIRST GENERA | 107 |
Copyright | |
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accepted achievement action appear attempt Austen become better called century characters comedy comes comic completely consciousness course criticism death described Dickens early effect Elizabethan England English exist experience expression eyes fact father feel fiction Fielding figure George George Eliot gives greater heart hero human imagination important influence instance interest James Jane kind Lady later least less literary lives London look matter means mind Miss moral nature never novel novelist perhaps person plot political possible present prose reader reality relation remains represents respect satire scarcely scene Scott seems seen sense side situation social society story successful symbol things thought tion true turned Victorian whole woman women writing written wrote young