The English Novel: A Short Critical HistoryA brilliant, critical history of the novel from Bunyan to Lawrence and Joyce. |
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Page 35
A Short Critical History Walter Ernest Allen. published in 1748 . The longest novel
in English , its very bulk probably prevents its being much read now ; yet it
remains by any standard a very great novel indeed . Its theme is much the same
as ...
A Short Critical History Walter Ernest Allen. published in 1748 . The longest novel
in English , its very bulk probably prevents its being much read now ; yet it
remains by any standard a very great novel indeed . Its theme is much the same
as ...
Page 239
Of the novelists born in the fertile second decade of the century one very great
writer remains for consideration : George Eliot . ... first a handful of minor writers
must be discussed , writers who remain interesting at THE EARLY VICTORIANS
239.
Of the novelists born in the fertile second decade of the century one very great
writer remains for consideration : George Eliot . ... first a handful of minor writers
must be discussed , writers who remain interesting at THE EARLY VICTORIANS
239.
Page 279
Ignore these , and what remains is quintessential . There is the object of the satire
, Sir Austin Feverel , the man with an ideal system of education , who is to be
chastened into an awareness of the truth about life ; there is his son , Richard ,
the ...
Ignore these , and what remains is quintessential . There is the object of the satire
, Sir Austin Feverel , the man with an ideal system of education , who is to be
chastened into an awareness of the truth about life ; there is his son , Richard ,
the ...
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User Review - stillatim - LibraryThingRemember when literary critics read books and wrote about them? No? Well, I do now. He got a few things wrong - what did these people ever see in H.G. Wells? In Meredith? That they should be put next ... Read full review
Contents
THE BEGINNINGS | 3 |
THE EIGHTEENTH CENTURY | 31 |
THE FIRST GENERA | 107 |
Copyright | |
3 other sections not shown
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accepted achievement action appear attempt Austen become better called century characters comedy comes comic completely consciousness course criticism death described Dickens early effect Elizabethan England English exist experience expression eyes fact father feel fiction Fielding figure George George Eliot gives greater Hardy heart hero human imagination important influence instance interest James Jane kind Lady later least less literary lives London look matter means mind Miss moral nature never novel novelist perhaps person plot political possible present prose reader reality relation represents respect satire scarcely scene Scott seems seen sense side situation social society stand story successful symbol things tion true turned Victorian whole woman women writing written wrote young