The English Novel: A Short Critical History |
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Page 211
The episodeand in this respect it is one of many — still has power to move . Mary Barton was Mrs. Gaskell's first novel . North and South was her fourth and a much better one ; it has an interest today beyond that of Mary Barton , which ...
The episodeand in this respect it is one of many — still has power to move . Mary Barton was Mrs. Gaskell's first novel . North and South was her fourth and a much better one ; it has an interest today beyond that of Mary Barton , which ...
Page 298
In some respects , his simplest and most successful tragic novel is The Mayor of Casterbridge . ... far away from the tragic heroes of Shakespeare , and yet , in one respect at any rate , it is Macbeth with whom we have to compare him .
In some respects , his simplest and most successful tragic novel is The Mayor of Casterbridge . ... far away from the tragic heroes of Shakespeare , and yet , in one respect at any rate , it is Macbeth with whom we have to compare him .
Page 307
A novelist like Stevenson , for example , whose material is mainly such as we usually consider romantic , in this respect conforms to the law of fanatical scrupulosity no less than James or George Moore . Stevenson is a relevant figure ...
A novelist like Stevenson , for example , whose material is mainly such as we usually consider romantic , in this respect conforms to the law of fanatical scrupulosity no less than James or George Moore . Stevenson is a relevant figure ...
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User Review - stillatim - LibraryThingRemember when literary critics read books and wrote about them? No? Well, I do now. He got a few things wrong - what did these people ever see in H.G. Wells? In Meredith? That they should be put next ... Read full review
Contents
THE BEGINNINGS | 3 |
THE EIGHTEENTH CENTURY | 31 |
THE FIRST GENERA | 107 |
Copyright | |
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accepted achievement action appear attempt Austen become better called century characters comedy comes comic completely consciousness course criticism death described Dickens early effect Elizabethan England English exist experience expression eyes fact father feel fiction Fielding figure George George Eliot gives greater heart hero human imagination important influence instance interest James Jane kind Lady later least less literary lives London look matter means mind Miss moral nature never novel novelist perhaps person plot political possible present prose reader reality relation remains represents respect satire scarcely scene Scott seems seen sense side situation social society story successful symbol things thought tion true turned Victorian whole woman women writing written wrote young