The English Novel: A Short Critical HistoryA brilliant, critical history of the novel from Bunyan to Lawrence and Joyce. |
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Page 14
It was during this period that the English began to acquire the habit of reading , in
the absence of which the writing of novels is scarcely conceivable . The
Cambridge Bibliography of English Literature lists one hundred and fifty prose
tales ...
It was during this period that the English began to acquire the habit of reading , in
the absence of which the writing of novels is scarcely conceivable . The
Cambridge Bibliography of English Literature lists one hundred and fifty prose
tales ...
Page 113
It is scarcely possible to praise her too highly , this brilliant society woman in
whom tragedy , in the shape of what she thinks to be cancer of the breast , gnaws
continually . “ Abroad she appeared all life , spirit , and good humor - at home ...
It is scarcely possible to praise her too highly , this brilliant society woman in
whom tragedy , in the shape of what she thinks to be cancer of the breast , gnaws
continually . “ Abroad she appeared all life , spirit , and good humor - at home ...
Page 197
This can scarcely be questioned when one remembers the characters of the
novel , those sharp , scathing sketches of the money - conscious , the Veneerings
, Podsnap , Fledgeby , the Lammles . Any account of Dickens is inadequate .
This can scarcely be questioned when one remembers the characters of the
novel , those sharp , scathing sketches of the money - conscious , the Veneerings
, Podsnap , Fledgeby , the Lammles . Any account of Dickens is inadequate .
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User Review - stillatim - LibraryThingRemember when literary critics read books and wrote about them? No? Well, I do now. He got a few things wrong - what did these people ever see in H.G. Wells? In Meredith? That they should be put next ... Read full review
Contents
THE BEGINNINGS | 3 |
THE EIGHTEENTH CENTURY | 31 |
THE FIRST GENERA | 107 |
Copyright | |
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accepted achievement action appear attempt Austen become better called century characters comedy comes comic completely consciousness course criticism death described Dickens early effect Elizabethan England English exist experience expression eyes fact father feel fiction Fielding figure George George Eliot gives greater Hardy heart hero human imagination important influence instance interest James Jane kind Lady later least less literary lives London look matter means mind Miss moral nature never novel novelist perhaps person plot political possible present prose reader reality relation represents respect satire scarcely scene Scott seems seen sense side situation social society stand story successful symbol things tion true turned Victorian whole woman women writing written wrote young