The English Novel: A Short Critical History |
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Page 49
Elizabeth Jenkins , in her admirable study of the novelist , comments on this : “ The scene in Lady Booby's house . . . where Beau Didapper steals to Mrs. Slipslop's bed in mistake for Fanny's , and Parson Adams , hearing a scream ...
Elizabeth Jenkins , in her admirable study of the novelist , comments on this : “ The scene in Lady Booby's house . . . where Beau Didapper steals to Mrs. Slipslop's bed in mistake for Fanny's , and Parson Adams , hearing a scream ...
Page 199
There are great scenes , the greatesti [ the account of Waterloo , the Waterloo of the civilian hangers - on of the ... a wonderful ease of narration , E a wonderful ability to make rapid transitions from scene en to contrasted scene .
There are great scenes , the greatesti [ the account of Waterloo , the Waterloo of the civilian hangers - on of the ... a wonderful ease of narration , E a wonderful ability to make rapid transitions from scene en to contrasted scene .
Page 438
Another example is the scene in Women in Love in which Birkin throws stones into the pool to shatter the image of the moon. Symbolism of this kind cannot be paraphrased; it can only be experienced. It is probably the rarest kind of ...
Another example is the scene in Women in Love in which Birkin throws stones into the pool to shatter the image of the moon. Symbolism of this kind cannot be paraphrased; it can only be experienced. It is probably the rarest kind of ...
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User Review - stillatim - LibraryThingRemember when literary critics read books and wrote about them? No? Well, I do now. He got a few things wrong - what did these people ever see in H.G. Wells? In Meredith? That they should be put next ... Read full review
Contents
THE BEGINNINGS | 3 |
THE EIGHTEENTH CENTURY | 31 |
THE FIRST GENERA | 107 |
Copyright | |
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accepted achievement action appear attempt Austen become better called century characters comedy comes comic completely consciousness course criticism death described Dickens early effect Elizabethan England English exist experience expression eyes fact father feel fiction Fielding figure George George Eliot gives greater heart hero human imagination important influence instance interest James Jane kind Lady later least less literary lives London look matter means mind Miss moral nature never novel novelist perhaps person plot political possible present prose reader reality relation remains represents respect satire scarcely scene Scott seems seen sense side situation social society story successful symbol things thought tion true turned Victorian whole woman women writing written wrote young