The English Novel: A Short Critical HistoryA brilliant, critical history of the novel from Bunyan to Lawrence and Joyce. |
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Page 95
Her theme is always a young girl ' s impressions of the social world , her mistakes
in society , her gradual discovery of its values , and her discovery of love , which ,
after some misunderstandings due to her innocence , ends in marriage .
Her theme is always a young girl ' s impressions of the social world , her mistakes
in society , her gradual discovery of its values , and her discovery of love , which ,
after some misunderstandings due to her innocence , ends in marriage .
Page 181
he was only giving wider publicity in “ inimitable " form to a number of social facts
and social abuses which had already been recognized if not explored before him
. He shared a great deal of common experience with his public , so that it could ...
he was only giving wider publicity in “ inimitable " form to a number of social facts
and social abuses which had already been recognized if not explored before him
. He shared a great deal of common experience with his public , so that it could ...
Page 201
Wherever there was a man , he saw a snob " ; and snobbery , the jockeying for
social position and the pretense to a status rather higher than the person ' s true
one he saw as the main driving force of man in society . This view of man has ...
Wherever there was a man , he saw a snob " ; and snobbery , the jockeying for
social position and the pretense to a status rather higher than the person ' s true
one he saw as the main driving force of man in society . This view of man has ...
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User Review - stillatim - LibraryThingRemember when literary critics read books and wrote about them? No? Well, I do now. He got a few things wrong - what did these people ever see in H.G. Wells? In Meredith? That they should be put next ... Read full review
Contents
THE BEGINNINGS | 3 |
THE EIGHTEENTH CENTURY | 31 |
THE FIRST GENERA | 107 |
Copyright | |
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accepted achievement action appear attempt Austen become better called century characters comedy comes comic completely consciousness course criticism death described Dickens early effect Elizabethan England English exist experience expression eyes fact father feel fiction Fielding figure George George Eliot gives greater Hardy heart hero human imagination important influence instance interest James Jane kind Lady later least less literary lives London look matter means mind Miss moral nature never novel novelist perhaps person plot political possible present prose reader reality relation represents respect satire scarcely scene Scott seems seen sense side situation social society stand story successful symbol things tion true turned Victorian whole woman women writing written wrote young