The English Novel: A Short Critical HistoryA brilliant, critical history of the novel from Bunyan to Lawrence and Joyce. |
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Page 85
rational pattern of society ; abuses of power were deviations from an accepted
norm and could be corrected by an appeal to reason through the voice of ridicule
. But society was not static as Fielding and Smollett believed , and the middle of ...
rational pattern of society ; abuses of power were deviations from an accepted
norm and could be corrected by an appeal to reason through the voice of ridicule
. But society was not static as Fielding and Smollett believed , and the middle of ...
Page 209
there shines through her work the personality of a wholly admirable woman in
harmony with the society in which she finds herself . Apart from her writing , she
had a full life as the wife of a Unitarian minister in Manchester and the mother of a
...
there shines through her work the personality of a wholly admirable woman in
harmony with the society in which she finds herself . Apart from her writing , she
had a full life as the wife of a Unitarian minister in Manchester and the mother of a
...
Page 239
with is always corruption of manners , of the code of behavior in decent society .
At the center of the novel is the tremendous figure of the great , shady financier
Melmotte , the magnet of all society , the man for whose support both parties bid .
with is always corruption of manners , of the code of behavior in decent society .
At the center of the novel is the tremendous figure of the great , shady financier
Melmotte , the magnet of all society , the man for whose support both parties bid .
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User Review - stillatim - LibraryThingRemember when literary critics read books and wrote about them? No? Well, I do now. He got a few things wrong - what did these people ever see in H.G. Wells? In Meredith? That they should be put next ... Read full review
Contents
THE BEGINNINGS | 3 |
THE EIGHTEENTH CENTURY | 31 |
THE FIRST GENERA | 107 |
Copyright | |
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accepted achievement action appear attempt Austen become better called century characters comedy comes comic completely consciousness course criticism death described Dickens early effect Elizabethan England English exist experience expression eyes fact father feel fiction Fielding figure George George Eliot gives greater Hardy heart hero human imagination important influence instance interest James Jane kind Lady later least less literary lives London look matter means mind Miss moral nature never novel novelist perhaps person plot political possible present prose reader reality relation represents respect satire scarcely scene Scott seems seen sense side situation social society stand story successful symbol things tion true turned Victorian whole woman women writing written wrote young