The English Novel: A Short Critical History |
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Page 85
rational pattern of society ; abuses of power were deviations from an accepted norm and could be corrected by an appeal to reason through the voice of ridicule . But society was not static as Fielding and Smollett believed , and the ...
rational pattern of society ; abuses of power were deviations from an accepted norm and could be corrected by an appeal to reason through the voice of ridicule . But society was not static as Fielding and Smollett believed , and the ...
Page 209
let there shines through her work the personality of a wholly To admirable woman in harmony with the society in which she finds herself . Apart from her writing , she had a full a life as the wife of a Unitarian minister in Manchester ...
let there shines through her work the personality of a wholly To admirable woman in harmony with the society in which she finds herself . Apart from her writing , she had a full a life as the wife of a Unitarian minister in Manchester ...
Page 239
with is always corruption of manners , of the code of behavior in decent society . At the center of the novel is the tremendous figure of the great , shady financier Melmotte , the magnet of all society , the man for whose support both ...
with is always corruption of manners , of the code of behavior in decent society . At the center of the novel is the tremendous figure of the great , shady financier Melmotte , the magnet of all society , the man for whose support both ...
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User Review - stillatim - LibraryThingRemember when literary critics read books and wrote about them? No? Well, I do now. He got a few things wrong - what did these people ever see in H.G. Wells? In Meredith? That they should be put next ... Read full review
Contents
THE BEGINNINGS | 3 |
THE EIGHTEENTH CENTURY | 31 |
THE FIRST GENERA | 107 |
Copyright | |
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accepted achievement action appear attempt Austen become better called century characters comedy comes comic completely consciousness course criticism death described Dickens early effect Elizabethan England English exist experience expression eyes fact father feel fiction Fielding figure George George Eliot gives greater heart hero human imagination important influence instance interest James Jane kind Lady later least less literary lives London look matter means mind Miss moral nature never novel novelist perhaps person plot political possible present prose reader reality relation remains represents respect satire scarcely scene Scott seems seen sense side situation social society story successful symbol things thought tion true turned Victorian whole woman women writing written wrote young