The English Novel: A Short Critical HistoryA brilliant, critical history of the novel from Bunyan to Lawrence and Joyce. |
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Page 121
It is Fanny alone who stands out against the plans to stage a play at Mansfield
Park while Sir Thomas is away in the West ... Dante defines comedy as " a series
of harsh complications having a prosperous conclusion , " and that will stand for ...
It is Fanny alone who stands out against the plans to stage a play at Mansfield
Park while Sir Thomas is away in the West ... Dante defines comedy as " a series
of harsh complications having a prosperous conclusion , " and that will stand for ...
Page 307
The root of the whole matter , ” he said , “ is that a novel is not a transcript of life ,
to be judged by its exactitude ; but a simplification of some side or point of life , to
stand or fall by its significant simplicity . " With this James had no difficulty in ...
The root of the whole matter , ” he said , “ is that a novel is not a transcript of life ,
to be judged by its exactitude ; but a simplification of some side or point of life , to
stand or fall by its significant simplicity . " With this James had no difficulty in ...
Page 332
Mrs . Lowder is comic , formidable , implacable ; but she is more , for Kate ' s is a
myth - making mind , and before it has finished with Mrs . Lowder she has
become a figure of myth , one that can stand as a symbol of the implacability and
the ...
Mrs . Lowder is comic , formidable , implacable ; but she is more , for Kate ' s is a
myth - making mind , and before it has finished with Mrs . Lowder she has
become a figure of myth , one that can stand as a symbol of the implacability and
the ...
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User Review - stillatim - LibraryThingRemember when literary critics read books and wrote about them? No? Well, I do now. He got a few things wrong - what did these people ever see in H.G. Wells? In Meredith? That they should be put next ... Read full review
Contents
THE BEGINNINGS | 3 |
THE EIGHTEENTH CENTURY | 31 |
THE FIRST GENERA | 107 |
Copyright | |
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accepted achievement action appear attempt Austen become better called century characters comedy comes comic completely consciousness course criticism death described Dickens early effect Elizabethan England English exist experience expression eyes fact father feel fiction Fielding figure George George Eliot gives greater Hardy heart hero human imagination important influence instance interest James Jane kind Lady later least less literary lives London look matter means mind Miss moral nature never novel novelist perhaps person plot political possible present prose reader reality relation represents respect satire scarcely scene Scott seems seen sense side situation social society stand story successful symbol things tion true turned Victorian whole woman women writing written wrote young