The English Novel: A Short Critical HistoryA brilliant, critical history of the novel from Bunyan to Lawrence and Joyce. |
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Page 13
It is a rogue or picaresque story given a measure of actuality because pegged
down to a definite series of historic events . It opens with a scene in the English
camp before Tournay , which was besieged by Henry VIII in 1513 , and ends with
...
It is a rogue or picaresque story given a measure of actuality because pegged
down to a definite series of historic events . It opens with a scene in the English
camp before Tournay , which was besieged by Henry VIII in 1513 , and ends with
...
Page 94
The inspiration of the story came in a dream : he saw the hall and staircase of
Strawberry Hill , which was combined with vague memories of a Cambridge
college , with " a gigantic hand in armor " laid upon the banister . The gigantic
hand ...
The inspiration of the story came in a dream : he saw the hall and staircase of
Strawberry Hill , which was combined with vague memories of a Cambridge
college , with " a gigantic hand in armor " laid upon the banister . The gigantic
hand ...
Page 247
Uncle Silas represents the horror story in transition to the modern story of
detection . So far as I know it is the first novel to include the now familiar puzzle of
murder in a sealed room . But in fact , the supernatural and the purely rational —
and ...
Uncle Silas represents the horror story in transition to the modern story of
detection . So far as I know it is the first novel to include the now familiar puzzle of
murder in a sealed room . But in fact , the supernatural and the purely rational —
and ...
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User Review - stillatim - LibraryThingRemember when literary critics read books and wrote about them? No? Well, I do now. He got a few things wrong - what did these people ever see in H.G. Wells? In Meredith? That they should be put next ... Read full review
Contents
THE BEGINNINGS | 3 |
THE EIGHTEENTH CENTURY | 31 |
THE FIRST GENERA | 107 |
Copyright | |
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accepted achievement action appear attempt Austen become better called century characters comedy comes comic completely consciousness course criticism death described Dickens early effect Elizabethan England English exist experience expression eyes fact father feel fiction Fielding figure George George Eliot gives greater Hardy heart hero human imagination important influence instance interest James Jane kind Lady later least less literary lives London look matter means mind Miss moral nature never novel novelist perhaps person plot political possible present prose reader reality relation represents respect satire scarcely scene Scott seems seen sense side situation social society stand story successful symbol things tion true turned Victorian whole woman women writing written wrote young