The English Novel: A Short Critical HistoryA brilliant, critical history of the novel from Bunyan to Lawrence and Joyce. |
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Page 31
All things and modes of action shape themselves anew in the being of Milton ;
while Shakespeare becomes all things , yet for ever remaining himself . ” In this
contrast Coleridge is isolating two permanent and opposed kinds of creative ...
All things and modes of action shape themselves anew in the being of Milton ;
while Shakespeare becomes all things , yet for ever remaining himself . ” In this
contrast Coleridge is isolating two permanent and opposed kinds of creative ...
Page 130
In his introduction to The Fortunes of Nigel he quotes Dryden ' s remark : “ In short
, sir , you are of opinion with Bayes — What the devil does the plot signify , except
to bring in fine things ? ' ” But it brought in things that were not so fine , things ...
In his introduction to The Fortunes of Nigel he quotes Dryden ' s remark : “ In short
, sir , you are of opinion with Bayes — What the devil does the plot signify , except
to bring in fine things ? ' ” But it brought in things that were not so fine , things ...
Page 296
The philosophical explanation high - lights the sentimentality ; and when four
pages on Jude quotes Aeschylus : " Things are as they are , and will be brought
to their destined issue , ” we feel that , in this instance , the issue is being brought
...
The philosophical explanation high - lights the sentimentality ; and when four
pages on Jude quotes Aeschylus : " Things are as they are , and will be brought
to their destined issue , ” we feel that , in this instance , the issue is being brought
...
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User Review - stillatim - LibraryThingRemember when literary critics read books and wrote about them? No? Well, I do now. He got a few things wrong - what did these people ever see in H.G. Wells? In Meredith? That they should be put next ... Read full review
Contents
THE BEGINNINGS | 3 |
THE EIGHTEENTH CENTURY | 31 |
THE FIRST GENERA | 107 |
Copyright | |
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accepted achievement action appear attempt Austen become better called century characters comedy comes comic completely consciousness course criticism death described Dickens early effect Elizabethan England English exist experience expression eyes fact father feel fiction Fielding figure George George Eliot gives greater Hardy heart hero human imagination important influence instance interest James Jane kind Lady later least less literary lives London look matter means mind Miss moral nature never novel novelist perhaps person plot political possible present prose reader reality relation represents respect satire scarcely scene Scott seems seen sense side situation social society stand story successful symbol things tion true turned Victorian whole woman women writing written wrote young
Bibliographic information
| Title | The English Novel: A Short Critical History A Dutton paperback Part 9 of Dutton everyman paperback |
| Author | Walter Ernest Allen |
| Edition | reprint |
| Publisher | Dutton, 1955 |
| Original from | the University of Michigan |
| Digitized | 15 May 2007 |
| Length | 454 pages |
| Export Citation | BiBTeX EndNote RefMan |