The English Novel: A Short Critical HistoryA brilliant, critical history of the novel from Bunyan to Lawrence and Joyce. |
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Page 63
Characters in Smollett have become grotesque objects and , deprived of their
human appearances , turned into animals or insects , they are deprived of their
humanity . They are things to be kicked about , the sport of any crude horseplay ,
the ...
Characters in Smollett have become grotesque objects and , deprived of their
human appearances , turned into animals or insects , they are deprived of their
humanity . They are things to be kicked about , the sport of any crude horseplay ,
the ...
Page 68
Smollett belonged to the glorious company of English hack writers who have
turned their hands to anything . Verse , drama , travel , political writing , a treatise
on midwifery , translation - he translated Cervantes , Le Sage , and Voltaire —
and a ...
Smollett belonged to the glorious company of English hack writers who have
turned their hands to anything . Verse , drama , travel , political writing , a treatise
on midwifery , translation - he translated Cervantes , Le Sage , and Voltaire —
and a ...
Page 155
Balzac , Stendhal , and Flaubert were great Romantics who , instead of turning
away from the world in disgust , turned towards it in disgust and fought it with its
own weapons . In them realism as an aesthetic creed was born . In Russia things
...
Balzac , Stendhal , and Flaubert were great Romantics who , instead of turning
away from the world in disgust , turned towards it in disgust and fought it with its
own weapons . In them realism as an aesthetic creed was born . In Russia things
...
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User Review - stillatim - LibraryThingRemember when literary critics read books and wrote about them? No? Well, I do now. He got a few things wrong - what did these people ever see in H.G. Wells? In Meredith? That they should be put next ... Read full review
Contents
THE BEGINNINGS | 3 |
THE EIGHTEENTH CENTURY | 31 |
THE FIRST GENERA | 107 |
Copyright | |
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accepted achievement action appear attempt Austen become better called century characters comedy comes comic completely consciousness course criticism death described Dickens early effect Elizabethan England English exist experience expression eyes fact father feel fiction Fielding figure George George Eliot gives greater Hardy heart hero human imagination important influence instance interest James Jane kind Lady later least less literary lives London look matter means mind Miss moral nature never novel novelist perhaps person plot political possible present prose reader reality relation represents respect satire scarcely scene Scott seems seen sense side situation social society stand story successful symbol things tion true turned Victorian whole woman women writing written wrote young