The English Novel: A Short Critical History |
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Page 196
The first chapter , in other words , establishes the mood of the whole . But among other things , Bleak House is also about Lady Dedlock , who hides a love - starved heart under a mask of aristocratic boredom , and as Robert Liddell has ...
The first chapter , in other words , establishes the mood of the whole . But among other things , Bleak House is also about Lady Dedlock , who hides a love - starved heart under a mask of aristocratic boredom , and as Robert Liddell has ...
Page 418
On what principle is the selection of thoughts , sense impressions , and associations that must stand for the whole flow of mental activity , to be made ? It is impossible , with Pilgrimage , to speak of structure or form at all .
On what principle is the selection of thoughts , sense impressions , and associations that must stand for the whole flow of mental activity , to be made ? It is impossible , with Pilgrimage , to speak of structure or form at all .
Page 424
Whether it is a whole or a magnificent ruin I do not yet know , but it seems important to note that the more arduous one's attempts to come to a decision the greater the novel appears . The difficulty lies in its complexity .
Whether it is a whole or a magnificent ruin I do not yet know , but it seems important to note that the more arduous one's attempts to come to a decision the greater the novel appears . The difficulty lies in its complexity .
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User Review - stillatim - LibraryThingRemember when literary critics read books and wrote about them? No? Well, I do now. He got a few things wrong - what did these people ever see in H.G. Wells? In Meredith? That they should be put next ... Read full review
Contents
THE BEGINNINGS | 3 |
THE EIGHTEENTH CENTURY | 31 |
THE FIRST GENERA | 107 |
Copyright | |
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accepted achievement action appear attempt Austen become better called century characters comedy comes comic completely consciousness course criticism death described Dickens early effect Elizabethan England English exist experience expression eyes fact father feel fiction Fielding figure George George Eliot gives greater heart hero human imagination important influence instance interest James Jane kind Lady later least less literary lives London look matter means mind Miss moral nature never novel novelist perhaps person plot political possible present prose reader reality relation remains represents respect satire scarcely scene Scott seems seen sense side situation social society story successful symbol things thought tion true turned Victorian whole woman women writing written wrote young