The English Novel: A Short Critical History |
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Page 204
1 This emotional fixation on the " good woman , " for all it was the “ bad ” that aroused his creative energy , had another result , especially apparent in Vanity Fair , in the character of Becky . Becky is one of the most completely ...
1 This emotional fixation on the " good woman , " for all it was the “ bad ” that aroused his creative energy , had another result , especially apparent in Vanity Fair , in the character of Becky . Becky is one of the most completely ...
Page 250
Nothing much is left of Reade , but at least two novels , The Woman in White ( 1860 ) and The Moonstone ( 1868 ) , keep Collins's memory sweet . Both novelists were working at the opposite pole of manner and intention to Trollope ...
Nothing much is left of Reade , but at least two novels , The Woman in White ( 1860 ) and The Moonstone ( 1868 ) , keep Collins's memory sweet . Both novelists were working at the opposite pole of manner and intention to Trollope ...
Page 252
affects Armadale ( 1866 ) , which is generally considered his best book after The Woman in White and The Moonstone , for Armadale is an exercise in pure melodrama based on the notion of doom . Collins presents us with all the facts of ...
affects Armadale ( 1866 ) , which is generally considered his best book after The Woman in White and The Moonstone , for Armadale is an exercise in pure melodrama based on the notion of doom . Collins presents us with all the facts of ...
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User Review - stillatim - LibraryThingRemember when literary critics read books and wrote about them? No? Well, I do now. He got a few things wrong - what did these people ever see in H.G. Wells? In Meredith? That they should be put next ... Read full review
Contents
THE BEGINNINGS | 3 |
THE EIGHTEENTH CENTURY | 31 |
THE FIRST GENERA | 107 |
Copyright | |
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