The English Novel: A Short Critical HistoryA brilliant, critical history of the novel from Bunyan to Lawrence and Joyce. |
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Page xi
For my own part , when I look back , it seems that the main concern of my life
since I was a schoolboy has been reading novels , discussing novels with friends
, writing about novels , and trying to write novels myself , and all these activities ...
For my own part , when I look back , it seems that the main concern of my life
since I was a schoolboy has been reading novels , discussing novels with friends
, writing about novels , and trying to write novels myself , and all these activities ...
Page 23
Had Congreve written his squib when he was older he would undoubtedly have
set it in London , with a much greater gain in reality . But what is interesting now
is Congreve ' s avowed intention in this story " to imitate Dramatick Writing ...
Had Congreve written his squib when he was older he would undoubtedly have
set it in London , with a much greater gain in reality . But what is interesting now
is Congreve ' s avowed intention in this story " to imitate Dramatick Writing ...
Page 25
... with a God made in his own image , he expresses in the character of Crusoe .
The sources of the book have been hunted down by scholars , but his
indebtedness to earlier writers cannot take away from Defoe ' s originality . In
writing Crusoe ...
... with a God made in his own image , he expresses in the character of Crusoe .
The sources of the book have been hunted down by scholars , but his
indebtedness to earlier writers cannot take away from Defoe ' s originality . In
writing Crusoe ...
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User Review - stillatim - LibraryThingRemember when literary critics read books and wrote about them? No? Well, I do now. He got a few things wrong - what did these people ever see in H.G. Wells? In Meredith? That they should be put next ... Read full review
Contents
THE BEGINNINGS | 3 |
THE EIGHTEENTH CENTURY | 31 |
THE FIRST GENERA | 107 |
Copyright | |
3 other sections not shown
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accepted achievement action appear attempt Austen become better called century characters comedy comes comic completely consciousness course criticism death described Dickens early effect Elizabethan England English exist experience expression eyes fact father feel fiction Fielding figure George George Eliot gives greater Hardy heart hero human imagination important influence instance interest James Jane kind Lady later least less literary lives London look matter means mind Miss moral nature never novel novelist perhaps person plot political possible present prose reader reality relation represents respect satire scarcely scene Scott seems seen sense side situation social society stand story successful symbol things tion true turned Victorian whole woman women writing written wrote young
Bibliographic information
| Title | The English Novel: A Short Critical History A Dutton paperback Part 9 of Dutton everyman paperback |
| Author | Walter Ernest Allen |
| Edition | reprint |
| Publisher | Dutton, 1955 |
| Original from | the University of Michigan |
| Digitized | 15 May 2007 |
| Length | 454 pages |
| Export Citation | BiBTeX EndNote RefMan |