The English Novel: A Short Critical HistoryA brilliant, critical history of the novel from Bunyan to Lawrence and Joyce. |
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Page 17
He had of course no thought of writing a novel ; indeed , we read it as a novel
today simply because of the amount of felt and observed reality that it contains . It
was written as a religious allegory , as a tract or a sermon . Scholars have tracked
...
He had of course no thought of writing a novel ; indeed , we read it as a novel
today simply because of the amount of felt and observed reality that it contains . It
was written as a religious allegory , as a tract or a sermon . Scholars have tracked
...
Page 37
All the letters are written while the hearts of the writers must be supposed to be
wholly engaged in their subjects ( the events at the time dubious ) : so that they
abound not only with critical situations , but with what may be called
instantaneous ...
All the letters are written while the hearts of the writers must be supposed to be
wholly engaged in their subjects ( the events at the time dubious ) : so that they
abound not only with critical situations , but with what may be called
instantaneous ...
Page 325
Roderick Hudson , The Portrait of a Lady , The Bostonians , The Princess
Casamassima are traditional novels which only James could have written ; from
What Maisie Knew onwards his fiction is all his own ; the change is akin to D . H ...
Roderick Hudson , The Portrait of a Lady , The Bostonians , The Princess
Casamassima are traditional novels which only James could have written ; from
What Maisie Knew onwards his fiction is all his own ; the change is akin to D . H ...
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User Review - stillatim - LibraryThingRemember when literary critics read books and wrote about them? No? Well, I do now. He got a few things wrong - what did these people ever see in H.G. Wells? In Meredith? That they should be put next ... Read full review
Contents
THE BEGINNINGS | 3 |
THE EIGHTEENTH CENTURY | 31 |
THE FIRST GENERA | 107 |
Copyright | |
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Common terms and phrases
accepted achievement action appear attempt Austen become better called century characters comedy comes comic completely consciousness course criticism death described Dickens early effect Elizabethan England English exist experience expression eyes fact father feel fiction Fielding figure George George Eliot gives greater Hardy heart hero human imagination important influence instance interest James Jane kind Lady later least less literary lives London look matter means mind Miss moral nature never novel novelist perhaps person plot political possible present prose reader reality relation represents respect satire scarcely scene Scott seems seen sense side situation social society stand story successful symbol things tion true turned Victorian whole woman women writing written wrote young
Bibliographic information
| Title | The English Novel: A Short Critical History A Dutton paperback Part 9 of Dutton everyman paperback |
| Author | Walter Ernest Allen |
| Edition | reprint |
| Publisher | Dutton, 1955 |
| Original from | the University of Michigan |
| Digitized | 15 May 2007 |
| Length | 454 pages |
| Export Citation | BiBTeX EndNote RefMan |