The Situation of the Novel |
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Page 29
... reader by a vehicle that has not essentially changed since the days of Defoe or Richardson . There have , it is true , been recent experiments that have tried to get away from fixed page order by using loose pages or sections , which ...
... reader by a vehicle that has not essentially changed since the days of Defoe or Richardson . There have , it is true , been recent experiments that have tried to get away from fixed page order by using loose pages or sections , which ...
Page 82
... reader , their similarities are more striking than their differences . In such fiction the tragic , the violent and the comic are interwoven . The conventions of the realistic novel may be upheld , but only for as long as it suits the ...
... reader , their similarities are more striking than their differences . In such fiction the tragic , the violent and the comic are interwoven . The conventions of the realistic novel may be upheld , but only for as long as it suits the ...
Page 192
... reader's relationship with him becomes deeper and more intimate as the book advances ; but he affirms that this is not the real Fielding : The author has created this self as he has written the book . The book and the friend are one ...
... reader's relationship with him becomes deeper and more intimate as the book advances ; but he affirms that this is not the real Fielding : The author has created this self as he has written the book . The book and the friend are one ...
Contents
Preface | 7 |
Character and Liberalism | 35 |
The Ideology of Being English | 56 |
Copyright | |
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achievement admired American appeared attempt attitudes become called century certainly chapter character comic concerned consciousness contemporary course critical cultural deal described discussion early effect Eliot England English established existence experience fact feel fiction given Golden Notebook hand human ideas imagination individual instance interest involved John kind later less liberal literary literature living looking matter means mind Music narrative narrator nature never Nevertheless novel novelist objects observer offer opening original past perhaps personality Pop Art possible Powell present published question reader reality recent reference reflects regarded relation remains remarked seems seen sense short shows similar situation Snow social society story suggested Sword of Honour things tion traditional true turn universe values Waugh whole Wilson writing written young