Irish National Cinema

Front Cover
Psychology Press, 2004 - History - 214 pages

From the international successes of Neil Jordan and Jim Sheridan, to the smaller productions of the new generation of Irish filmmakers, this book explores questions of nationalism, gender identities, the representation of the Troubles and of Irish history as well as cinema's response to the so-called Celtic Tiger and its aftermath.

Irish National Cinema argues that in order to understand the unique position of filmmaking in Ireland and the inheritance on which contemporary filmmakers draw, definitions of the Irish culture and identity must take into account the so-called Irish diaspora and engage with its cinema.

An invaluable resource for students of world cinema.

 

Contents

Irish cinema national cinema?
3
A silent revolution
13
Contested images
34
Negotiating modernisation
65
Issues and debates in contemporary Irish cinema
83
Irish independents
85
The second Film Board years
104
The deflowering of Irish cinema
113
From history to heritage
148
Northern Ireland
157
Inclusion exclusion conclusion
179
Appendix
191
Notes
193
Bibliography
199
Index
208
Copyright

Another country
130

Other editions - View all

Common terms and phrases

Bibliographic information