Fine Disregard |
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Page 205
... kind of " reductiveness " -the condensed simplicity of punning , where a shape or line could be set to doing multiple tasks and representing three different things at once . It is almost certainly the way in which Picasso first saw a ...
... kind of " reductiveness " -the condensed simplicity of punning , where a shape or line could be set to doing multiple tasks and representing three different things at once . It is almost certainly the way in which Picasso first saw a ...
Page 225
... kind of imagined view from above is older than recorded time , the fully foreshortened overhead viewpoint - the kind that compresses a person into a hat and a set of shoulders - is a separate way of representing , with a briefer history ...
... kind of imagined view from above is older than recorded time , the fully foreshortened overhead viewpoint - the kind that compresses a person into a hat and a set of shoulders - is a separate way of representing , with a briefer history ...
Page 238
... kind of stretches and compressions we associate with fish - eye lenses or funhouse mirrors ( figs . 245 and 246 , p . 237 ) . These proportions are frozen into permanent conditions of being , by which the structure of society is ...
... kind of stretches and compressions we associate with fish - eye lenses or funhouse mirrors ( figs . 245 and 246 , p . 237 ) . These proportions are frozen into permanent conditions of being , by which the structure of society is ...
Contents
TWO NEAR AND | 24 |
THREEFRAGMENTATION AND REPETITION | 102 |
FOUR PRIMITIVISM | 182 |
Copyright | |
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abstract Alexandr Rodchenko Ando Hiroshige art's artists Auguste Rodin Autre Monde basic Boulevard Seen Burghers of Calais camera Campbell Campbell Campbell Chronophotograph color CONSTANTIN BRANCUSI context conventions Courtesy cultural DANCERS Degas's Demoiselles d'Avignon devices Edgar Degas Etienne-Jules Marey example Flatland foreground forms fragmentation and repetition Gallery Gilbreth Gogh Harmony in Red Hiroshige's human Hundred Famous Views Hundred Views idea individual influence innovations J. J. GRANDVILLE Japanese Katsushika Hokusai kind Les Demoiselles d'Avignon LINE look mask Matisse meaning modern art Mondrian Mount Fuji Museum of Art Museum of Modern Muybridge nature NOODIE notion Oil on canvas overhead view Pablo Picasso painters painting Paris Pastel Paul Gauguin perspectival perspective photographs picture primitivism representation sculpture sense SERIES ONE HUNDRED Shiba Kokan social society SOUP SOUP SOUP space spatial structures Study things tradition tribal Views of Edo Views of Mount vision Western William Rubin Woodblock print York