Sociological Poetics and Aesthetic Theory |
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Page 13
... story as material for the filling out of plot , story being the description of events in chronological order and causality , while plot was the compositional arrangement of these events into fic- tional art . Such a formulation suggests ...
... story as material for the filling out of plot , story being the description of events in chronological order and causality , while plot was the compositional arrangement of these events into fic- tional art . Such a formulation suggests ...
Page 15
... stories of O'Henry , Eichenbaum argued for the immanent evolution of literary genres postulating a ' law of contrast ' to explain the development of the genre of the romantic and sentimental story towards parodies of sentimental plots ...
... stories of O'Henry , Eichenbaum argued for the immanent evolution of literary genres postulating a ' law of contrast ' to explain the development of the genre of the romantic and sentimental story towards parodies of sentimental plots ...
Page 85
... combative , praxis - centred art . But epic theatre was possible only because of developments in technology and the apparatuses of stage production all of which enabled the writer to ' tell a story ' of Ideology and Cultural Production 85.
... combative , praxis - centred art . But epic theatre was possible only because of developments in technology and the apparatuses of stage production all of which enabled the writer to ' tell a story ' of Ideology and Cultural Production 85.
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active Adorno aesthetic distance aesthetic form aesthetic theory aesthetic value alienation analysis argued art-form art-work artistic assimilated autonomy avant-garde Bakhtin Balzac Barthes bourgeois Brecht capitalist coherent communication complex concept consciousness constitutes criticism defined depict dialectical dialogic discourse dominant Dostoevsky economic elements embody epic theatre everyday example expression external F. R. Leavis fiction finalising Formalism Formalists Frankfurt School function genre Goldmann hegemony historical poetics human ideo ideology immanent individual interpretation Jauss Kafka language Leavis linguistic literary form literary theory literature London Lukács Lukács's Marx Marxist material meaning Menippean satire modern modernist modes narrative nature nineteenth-century notion novel object organisation philosophical political polyphonic practice praxis production reader reading realism reality reception Reception aesthetics reification rejected relation role Russian Formalism Russian Formalists Semiotics significant social and historical social group society socio socio-historical sociological poetics specific structuralist structure style stylistic tion tradition unity University Press writers
References to this book
The Dialogics of Critique: M.M. Bakhtin and the Theory of Ideology Michael Gardiner No preview available - 1992 |
Writing Organization: (re)presentation and Control in Narratives at Work Carl Rhodes Limited preview - 2001 |