Shakespearean CriticismPresents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
From inside the book
Results 1-3 of 79
Page 163
... reason . But ' tis a common proof , That lowliness is young ambition's ladder , Whereto the climber - upward turns his face ; And when he once attains the upmost round , He then unto the ladder turns his back , Looks in the clouds ...
... reason . But ' tis a common proof , That lowliness is young ambition's ladder , Whereto the climber - upward turns his face ; And when he once attains the upmost round , He then unto the ladder turns his back , Looks in the clouds ...
Page 368
... reason See also reason Othello 4 : 512 , 530 , 580 ; 19 : 253 Love and Romance ( Volume 51 : 1 , 15 , 25 , 30 , 33 , 44 ) Pericles 51 : 71 The Phoenix and Turtle 51 : 145 , 151 , 155 Romeo and Juliet 51 : 195 , 203 , 212 Sonnets 51 ...
... reason See also reason Othello 4 : 512 , 530 , 580 ; 19 : 253 Love and Romance ( Volume 51 : 1 , 15 , 25 , 30 , 33 , 44 ) Pericles 51 : 71 The Phoenix and Turtle 51 : 145 , 151 , 155 Romeo and Juliet 51 : 195 , 203 , 212 Sonnets 51 ...
Page 372
... reason See also love and reason and love versus reason Venus and Adonis 10 : 427 , 439 , 449 , 459 . 462 , 466 ; 28 : 355 ; 33 : 309 , 330 reason versus emotion Hamlet 71 : 95 reason versus imagination Antony and Cleopatra 6 : 107 , 372 ...
... reason See also love and reason and love versus reason Venus and Adonis 10 : 427 , 439 , 449 , 459 . 462 , 466 ; 28 : 355 ; 33 : 309 , 330 reason versus emotion Hamlet 71 : 95 reason versus imagination Antony and Cleopatra 6 : 107 , 372 ...
Other editions - View all
Common terms and phrases
actors Antony Antony's audience becomes Brutus Brutus's Cade Cade's Cambridge Cassius castration Cesario character comedy comic conspiracy conspirators critics cultural death disguise dramatic Duke early modern edition Edward Elizabethan England English essay date eunuch female Feste Feste's film gender Gentlemen of Verona Gloucester gulling Henry VI Henry VI plays Henry's History Plays Humphrey Illyria Jack Cade Joan John Julia Julius Caesar King King Lear Launce literary London lover male Malvolio Margaret ment mimetic moral murder narrative noble Nunn Nunn's Olivia Orsino Oxford performance play's plot political Portia present Press production Proteus Queen relationship Renaissance reveals Richard Richard III role Roman Rome says scene Sebastian seems sense sexual Shake Shakespeare Shakespeare's plays Silvia Sir Toby social speare speare's speech sport stage Suffolk suggests theatre theatrical thee thou tion tragedy Twelfth Night twins Valentine Viola William Shakespeare woman women words York