Southern Folklore Quarterly, Volume 21Alton Chester Morris University of Florida, 1957 - Folk-lore One issue a year for 19 - includes an annual folklore bibliography. |
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Page 332
... surrealist . The term was com- monly used thereafter by André Breton , Paul Eluard , and other contributors to the Paris journal Littérature . The concept of a literary and art movement to be for- mally designated surrealism , however ...
... surrealist . The term was com- monly used thereafter by André Breton , Paul Eluard , and other contributors to the Paris journal Littérature . The concept of a literary and art movement to be for- mally designated surrealism , however ...
Page 354
... surrealism , attempts to use the images of the subconscious , defined by Freud as uncon- trolled by conscious reason ( although Dali , in his para- noiac - critical method , claims to have control over ... SURREALISM Surrealism in the 1930s.
... surrealism , attempts to use the images of the subconscious , defined by Freud as uncon- trolled by conscious reason ( although Dali , in his para- noiac - critical method , claims to have control over ... SURREALISM Surrealism in the 1930s.
Page 634
... Surrealism . Bloomington , Ind . , 1960 . GASCOYNE , D. A Short History of Surrealism . London , 1935 . JEAN , M. The History of Surrealist Painting . New York , 1960 . LEVY , J. Surrealism . New York , 1936 . MOTHERWELL , R. The Dada ...
... Surrealism . Bloomington , Ind . , 1960 . GASCOYNE , D. A Short History of Surrealism . London , 1935 . JEAN , M. The History of Surrealist Painting . New York , 1960 . LEVY , J. Surrealism . New York , 1936 . MOTHERWELL , R. The Dada ...
Contents
Preface and Acknowledgments page | 9 |
Transition to the Twentieth Century | 47 |
Early TwentiethCentury Painting | 100 |
Copyright | |
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abstract expressionism American architects architecture art nouveau Bauhaus blue Braque Bronze buildings Center Cézanne Chirico classical collage color shapes color-field color-field painting Colorplate concept construction Corbusier created cubism dada decorative developed Duchamp early elements Ernst exhibition experiments explored expression expressionist fantasy fauve fauvism figures forms futurists Gabo Gallery Gauguin geometric German Gogh Gropius Guggenheim Museum height HENRI MATISSE Hirshhorn Collection influence interior Kandinsky Klee landscape later Le Corbusier light linear Marcel Duchamp MAX ERNST ment modeled Modern Art Mondrian monumental movement Museum of Art Museum of Modern nude objects Oil on canvas organization PABLO PICASSO painters painting and sculpture Paris pattern planes pop art Portrait Private collection realism rectangles Renaissance Rodin romantic Salon scene sculp sculpture sense skyscraper Solomon space Stijl structure studies style suggestive surrealism surrealist symbol theme tion tradition ture twentieth century VASILY KANDINSKY Walter Arensberg York