Southern Folklore Quarterly, Volume 21Alton Chester Morris University of Florida, 1957 - Folk-lore One issue a year for 19 - includes an annual folklore bibliography. |
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Page 109
... movement were creat- ing what could be described as fauve paintings as early as 1903 , the movement as such took shape in 1905 or 1906. Within two or three years members of the group were beginning to explore other directions , and by ...
... movement were creat- ing what could be described as fauve paintings as early as 1903 , the movement as such took shape in 1905 or 1906. Within two or three years members of the group were beginning to explore other directions , and by ...
Page 488
... movement in the history of American art . During this period , the artists involved were conscious of their participation in exciting , if loosely defined , phenomenons . A few critics , notably Clement Greenberg , championed the new ...
... movement in the history of American art . During this period , the artists involved were conscious of their participation in exciting , if loosely defined , phenomenons . A few critics , notably Clement Greenberg , championed the new ...
Page 619
... movement in the arts . Gerald Oster ( b . 1918 ) , a chemist , has made intensive research into moiré patterns and their implica- tions not only for science and industry , but also for optical , retinal , and illusionistic painting ...
... movement in the arts . Gerald Oster ( b . 1918 ) , a chemist , has made intensive research into moiré patterns and their implica- tions not only for science and industry , but also for optical , retinal , and illusionistic painting ...
Contents
Preface and Acknowledgments page | 9 |
Transition to the Twentieth Century | 47 |
Early TwentiethCentury Painting | 100 |
Copyright | |
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abstract expressionism American architects architecture art nouveau Bauhaus blue Braque Bronze buildings Center Cézanne Chirico classical collage color shapes color-field color-field painting Colorplate concept construction Corbusier created cubism dada decorative developed Duchamp early elements Ernst exhibition experiments explored expression expressionist fantasy fauve fauvism figures forms futurists Gabo Gallery Gauguin geometric German Gogh Gropius Guggenheim Museum height HENRI MATISSE Hirshhorn Collection influence interior Kandinsky Klee landscape later Le Corbusier light linear Marcel Duchamp MAX ERNST ment modeled Modern Art Mondrian monumental movement Museum of Art Museum of Modern nude objects Oil on canvas organization PABLO PICASSO painters painting and sculpture Paris pattern planes pop art Portrait Private collection realism rectangles Renaissance Rodin romantic Salon scene sculp sculpture sense skyscraper Solomon space Stijl structure studies style suggestive surrealism surrealist symbol theme tion tradition ture twentieth century VASILY KANDINSKY Walter Arensberg York