Southern Folklore Quarterly, Volume 21Alton Chester Morris University of Florida, 1957 - Folk-lore One issue a year for 19 - includes an annual folklore bibliography. |
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Page 218
... tion of painting as an entity in itself and not an imitation of anything else . The difficulty with abstract as a term for art that does not represent nature is that it has been used indiscriminately for all art in which the subject is ...
... tion of painting as an entity in itself and not an imitation of anything else . The difficulty with abstract as a term for art that does not represent nature is that it has been used indiscriminately for all art in which the subject is ...
Page 345
... tion for his sculptures in the round . He himself said : " Concretion signifies the natural process of condensa- tion , hardening , coagulating , thickening , growing together . Concretion designates the solidification of a mass . Con ...
... tion for his sculptures in the round . He himself said : " Concretion signifies the natural process of condensa- tion , hardening , coagulating , thickening , growing together . Concretion designates the solidification of a mass . Con ...
Page 410
... tion in painting was not away from , but toward , realism ; not toward experiment with form , only toward new picto- rial subject matter . This anomaly is explained in part by the fact that the academic spirit had become anathema to ...
... tion in painting was not away from , but toward , realism ; not toward experiment with form , only toward new picto- rial subject matter . This anomaly is explained in part by the fact that the academic spirit had become anathema to ...
Contents
Preface and Acknowledgments page | 9 |
Transition to the Twentieth Century | 47 |
Early TwentiethCentury Painting | 100 |
Copyright | |
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abstract expressionism American architects architecture art nouveau Bauhaus blue Braque Bronze buildings Center Cézanne Chirico classical collage color shapes color-field color-field painting Colorplate concept construction Corbusier created cubism dada decorative developed Duchamp early elements Ernst exhibition experiments explored expression expressionist fantasy fauve fauvism figures forms futurists Gabo Gallery Gauguin geometric German Gogh Gropius Guggenheim Museum height HENRI MATISSE Hirshhorn Collection influence interior Kandinsky Klee landscape later Le Corbusier light linear Marcel Duchamp MAX ERNST ment modeled Modern Art Mondrian monumental movement Museum of Art Museum of Modern nude objects Oil on canvas organization PABLO PICASSO painters painting and sculpture Paris pattern planes pop art Portrait Private collection realism rectangles Renaissance Rodin romantic Salon scene sculp sculpture sense skyscraper Solomon space Stijl structure studies style suggestive surrealism surrealist symbol theme tion tradition ture twentieth century VASILY KANDINSKY Walter Arensberg York