The Dimensions of Poetry: A Critical AnthologyPart 1. The Vertical View -- Chapter 1. Inside the Poem -- Chapter 2. Types and Traditions -- Chapter 3. Poetry and Judgement -- Chapter 4. Approaches to Poems -- Part 2. The Horizontal View -- William Shakespeare (1564-1616) -- John Donne (1572?-1631) -- John Milton (1608-1674) -- John Dryden (1631-1700) -- Alexander Pope (1688-1744) -- William Blake (1757-1827) -- William Wordsworth (1770-1850) -- Samuel Taylor Coleridge (1772-1834) -- John Keats (1795-1821) -- Alfred, Lord Tennyson (1809-1892) -- Robert Browning (1812-1889) -- Gerard Manley Hopkins (1844-1889) -- Walt Whitman (1819-1892) -- Emily Dickinson (1830-1886) -- William Butler Yeats (1865-1939) -- Robert Frost (1875-) -- Thomas Stearns Eliot (1888-) -- Dylan Thomas (1914-1953) -- Chronological Guide. |
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Page 12
... pattern , it is the symmetrical beat that is felt through all variations . The beat in poetry depends mainly on the arrangement of accented syllables , although so much of the rhythm is determined by pauses , punctuation , the quality ...
... pattern , it is the symmetrical beat that is felt through all variations . The beat in poetry depends mainly on the arrangement of accented syllables , although so much of the rhythm is determined by pauses , punctuation , the quality ...
Page 17
... Pattern The reader who goes into the physical world of the poem will see that the singleness of concrete imagery , the doubleness of metaphor , the sound and motion of its language - all make a pattern . In one sense the pattern is ...
... Pattern The reader who goes into the physical world of the poem will see that the singleness of concrete imagery , the doubleness of metaphor , the sound and motion of its language - all make a pattern . In one sense the pattern is ...
Page 263
... pattern . The result is a remarkably tight amalgam of death - and - rebirth imagery , drawn from a more than catholic variety of sources . It is far from being merely eclectic , however . Each individual image and reference has its ...
... pattern . The result is a remarkably tight amalgam of death - and - rebirth imagery , drawn from a more than catholic variety of sources . It is far from being merely eclectic , however . Each individual image and reference has its ...
Contents
Margaret Hussey 16 FITZGERALD Rubáiyát 18 | 36 |
BYRON The Destruction of Sennacherib 49 GILBERT The Ruler | 57 |
No More ARoving 60 BYRON When We Two Parted 61 SHELLEY | 64 |
Copyright | |
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beauty bird breath bright cloud criticism Danny Deever dark dead death doth dream Dylan Thomas earth elegy Emily Dickinson eyes fair fear fire flowers Gerontion green hair hand hath hear heard heart heaven hills human imagery images John Donne John Dryden Keats Kubla Khan Lady of Shalott leaves light lines live look Lord Lord Randal lovers Lycidas MDCCCXX meaning Milton mind moon morning mortal nature never night o'er passion pattern pleasure poem poet poetic poetry reader rhyme rhythm river rose round sense shadow Shakespeare ship sing sleep song sonnet soul sound spirit stanza stars sweet syllables symbol T. S. Eliot tears tell thee theme thine things thou thought Tintern Abbey tion trees verse voice W. H. AUDEN wild wind wings woods words Wordsworth Yeats young youth