The Dimensions of Poetry: A Critical AnthologyPart 1. The Vertical View -- Chapter 1. Inside the Poem -- Chapter 2. Types and Traditions -- Chapter 3. Poetry and Judgement -- Chapter 4. Approaches to Poems -- Part 2. The Horizontal View -- William Shakespeare (1564-1616) -- John Donne (1572?-1631) -- John Milton (1608-1674) -- John Dryden (1631-1700) -- Alexander Pope (1688-1744) -- William Blake (1757-1827) -- William Wordsworth (1770-1850) -- Samuel Taylor Coleridge (1772-1834) -- John Keats (1795-1821) -- Alfred, Lord Tennyson (1809-1892) -- Robert Browning (1812-1889) -- Gerard Manley Hopkins (1844-1889) -- Walt Whitman (1819-1892) -- Emily Dickinson (1830-1886) -- William Butler Yeats (1865-1939) -- Robert Frost (1875-) -- Thomas Stearns Eliot (1888-) -- Dylan Thomas (1914-1953) -- Chronological Guide. |
From inside the book
Results 1-3 of 61
Page 33
... stanza of " Loveliest of Trees " computation is impor- tant . Figure out carefully just how old the speaker is — it will make a great difference in the point of the poem . Explain fully . 2. Describe the difference in tone between stanzas ...
... stanza of " Loveliest of Trees " computation is impor- tant . Figure out carefully just how old the speaker is — it will make a great difference in the point of the poem . Explain fully . 2. Describe the difference in tone between stanzas ...
Page 348
... stanza , the elaboration suggesting the possibility of an other - worldly or non - natural creator . Not until the next - to - last stanza , however , is there any specific , undebatable reference to deity . There , in an allusion to ...
... stanza , the elaboration suggesting the possibility of an other - worldly or non - natural creator . Not until the next - to - last stanza , however , is there any specific , undebatable reference to deity . There , in an allusion to ...
Page 644
... stanza III : " O sages standing in God's holy fire / As in the gold mosaic of a wall . " According to the first part ... Stanza I presents a rejection of passion , stanza II an acceptance of intellection ; then , turning on the ...
... stanza III : " O sages standing in God's holy fire / As in the gold mosaic of a wall . " According to the first part ... Stanza I presents a rejection of passion , stanza II an acceptance of intellection ; then , turning on the ...
Contents
Margaret Hussey 16 FITZGERALD Rubáiyát 18 | 36 |
BYRON The Destruction of Sennacherib 49 GILBERT The Ruler | 57 |
No More ARoving 60 BYRON When We Two Parted 61 SHELLEY | 64 |
Copyright | |
42 other sections not shown
Other editions - View all
Common terms and phrases
beauty bird breath bright cloud criticism Danny Deever dark dead death doth dream Dylan Thomas earth elegy Emily Dickinson eyes fair fear fire flowers Gerontion green hair hand hath hear heard heart heaven hills human imagery images John Donne John Dryden Keats Kubla Khan Lady of Shalott leaves light lines live look Lord Lord Randal lovers Lycidas MDCCCXX meaning Milton mind moon morning mortal nature never night o'er passion pattern pleasure poem poet poetic poetry reader rhyme rhythm river rose round sense shadow Shakespeare ship sing sleep song sonnet soul sound spirit stanza stars sweet syllables symbol T. S. Eliot tears tell thee theme thine things thou thought Tintern Abbey tion trees verse voice W. H. AUDEN wild wind wings woods words Wordsworth Yeats young youth