The Dimensions of Poetry: A Critical AnthologyPart 1. The Vertical View -- Chapter 1. Inside the Poem -- Chapter 2. Types and Traditions -- Chapter 3. Poetry and Judgement -- Chapter 4. Approaches to Poems -- Part 2. The Horizontal View -- William Shakespeare (1564-1616) -- John Donne (1572?-1631) -- John Milton (1608-1674) -- John Dryden (1631-1700) -- Alexander Pope (1688-1744) -- William Blake (1757-1827) -- William Wordsworth (1770-1850) -- Samuel Taylor Coleridge (1772-1834) -- John Keats (1795-1821) -- Alfred, Lord Tennyson (1809-1892) -- Robert Browning (1812-1889) -- Gerard Manley Hopkins (1844-1889) -- Walt Whitman (1819-1892) -- Emily Dickinson (1830-1886) -- William Butler Yeats (1865-1939) -- Robert Frost (1875-) -- Thomas Stearns Eliot (1888-) -- Dylan Thomas (1914-1953) -- Chronological Guide. |
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Page 7
... things . In a real sense , the lion lies down with the lamb . A poem usually implies that the world is not composed of isolated facts ; life is whole , and all things fit to- gether in some kind of order . The easiest kind of ...
... things . In a real sense , the lion lies down with the lamb . A poem usually implies that the world is not composed of isolated facts ; life is whole , and all things fit to- gether in some kind of order . The easiest kind of ...
Page 198
... things as they were , and his sophistication did not compel him to condescend to the common- place . Things sometimes become clichés because they are true , and they are to be recognized as truth . Nowhere in his works is there any ...
... things as they were , and his sophistication did not compel him to condescend to the common- place . Things sometimes become clichés because they are true , and they are to be recognized as truth . Nowhere in his works is there any ...
Page 647
... things with song , as youth com- mends the changing with song ; it would seem that the problem has been resolved , and the poem hence must end ; but the con- templation of the monuments teaches first of all that these are no mere ...
... things with song , as youth com- mends the changing with song ; it would seem that the problem has been resolved , and the poem hence must end ; but the con- templation of the monuments teaches first of all that these are no mere ...
Contents
Margaret Hussey 16 FITZGERALD Rubáiyát 18 | 36 |
BYRON The Destruction of Sennacherib 49 GILBERT The Ruler | 57 |
No More ARoving 60 BYRON When We Two Parted 61 SHELLEY | 64 |
Copyright | |
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Common terms and phrases
beauty bird breath bright cloud criticism Danny Deever dark dead death doth dream Dylan Thomas earth elegy Emily Dickinson eyes fair fear fire flowers Gerontion green hair hand hath hear heard heart heaven hills human imagery images John Donne John Dryden Keats Kubla Khan Lady of Shalott leaves light lines live look Lord Lord Randal lovers Lycidas MDCCCXX meaning Milton mind moon morning mortal nature never night o'er passion pattern pleasure poem poet poetic poetry reader rhyme rhythm river rose round sense shadow Shakespeare ship sing sleep song sonnet soul sound spirit stanza stars sweet syllables symbol T. S. Eliot tears tell thee theme thine things thou thought Tintern Abbey tion trees verse voice W. H. AUDEN wild wind wings woods words Wordsworth Yeats young youth