The Dimensions of Poetry: A Critical AnthologyPart 1. The Vertical View -- Chapter 1. Inside the Poem -- Chapter 2. Types and Traditions -- Chapter 3. Poetry and Judgement -- Chapter 4. Approaches to Poems -- Part 2. The Horizontal View -- William Shakespeare (1564-1616) -- John Donne (1572?-1631) -- John Milton (1608-1674) -- John Dryden (1631-1700) -- Alexander Pope (1688-1744) -- William Blake (1757-1827) -- William Wordsworth (1770-1850) -- Samuel Taylor Coleridge (1772-1834) -- John Keats (1795-1821) -- Alfred, Lord Tennyson (1809-1892) -- Robert Browning (1812-1889) -- Gerard Manley Hopkins (1844-1889) -- Walt Whitman (1819-1892) -- Emily Dickinson (1830-1886) -- William Butler Yeats (1865-1939) -- Robert Frost (1875-) -- Thomas Stearns Eliot (1888-) -- Dylan Thomas (1914-1953) -- Chronological Guide. |
From inside the book
Results 1-3 of 64
Page 668
... woods , in Frost's poetry . By the time the critic has traced it through all the poems , he has discovered a meaning for the dark woods that no analysis , how- ever intense , of a single poem would yield . By focusing on specific ...
... woods , in Frost's poetry . By the time the critic has traced it through all the poems , he has discovered a meaning for the dark woods that no analysis , how- ever intense , of a single poem would yield . By focusing on specific ...
Page 670
... woods and to a world of " promises " -the latter filtering like a barely heard echo through the almost hypnotic state induced by the woods and falling snow - is what gives this poem its singular interest . If its " meanings " were more ...
... woods and to a world of " promises " -the latter filtering like a barely heard echo through the almost hypnotic state induced by the woods and falling snow - is what gives this poem its singular interest . If its " meanings " were more ...
Page 671
... woods , trees , and leaves is so intimately and persistently identified with certain psycho- logical states as to assume a symbolic significance . The dark woods represent the privacy of the self , the sacred domain where poetry is made ...
... woods , trees , and leaves is so intimately and persistently identified with certain psycho- logical states as to assume a symbolic significance . The dark woods represent the privacy of the self , the sacred domain where poetry is made ...
Contents
Margaret Hussey 16 FITZGERALD Rubáiyát 18 | 36 |
BYRON The Destruction of Sennacherib 49 GILBERT The Ruler | 57 |
No More ARoving 60 BYRON When We Two Parted 61 SHELLEY | 64 |
Copyright | |
42 other sections not shown
Other editions - View all
Common terms and phrases
beauty bird breath bright cloud criticism Danny Deever dark dead death doth dream Dylan Thomas earth elegy Emily Dickinson eyes fair fear fire flowers Gerontion green hair hand hath hear heard heart heaven hills human imagery images John Donne John Dryden Keats Kubla Khan Lady of Shalott leaves light lines live look Lord Lord Randal lovers Lycidas MDCCCXX meaning Milton mind moon morning mortal nature never night o'er passion pattern pleasure poem poet poetic poetry reader rhyme rhythm river rose round sense shadow Shakespeare ship sing sleep song sonnet soul sound spirit stanza stars sweet syllables symbol T. S. Eliot tears tell thee theme thine things thou thought Tintern Abbey tion trees verse voice W. H. AUDEN wild wind wings woods words Wordsworth Yeats young youth